Cinema and Technology

Inhaltsverzeichnis

Biographical Notes Acknowledgements Introduction: B.Bennett, M.Furstenau& A.Mackenzie PART 1: FORMAT The Perilous Gauge: Canadian Independent Film Exhibition and the 16mm Mobile Menace; P.Lester BMW Films and the Star Wars Kid: 'Early Web Cinema' and Technology; A.Clay On Some Limits to Film Theory (Mainly From Science); J.Elkins PART 2: NORMS Socially Combustible: Panicky People, Flammable Films, and the Dangerous New Technology of the Nickelodeon; P.Moore Cinema and its Doubles: Kittler vs. Deleuze; J.Harris Genomic Science in Contemporary Film: Institutions, Individuals and Genre; K.O'Riordan PART 3: SCANNING Cinema as Technology: Encounters with an Interface; A.Wood Demonlover : Interval, Affect and the Aesthetics of Digital Dislocation; M.Manojlovic 'Into the décor': Attention and Distraction, Foreground and Background; C.Rodrigues Children, Robots, Cinephilia and Technophobia; B.Bennett PART 4: MOVEMENT Lola and the Vampire: Technologies of Time and Movement in German Cinema; M.Langford Inbetweening: Animation, Deleuze, Film Theory; B.Schaffer Affective Troubles and Cinema; M-L.Angerer Afterword: Digital Cinema and the Apparatus: Archaeologies, Epistemologies, Ontologies; T.Elsaesser Bibliography Index

Cinema and Technology

Cultures, Theories, Practices

Buch (Gebundene Ausgabe, Englisch)

Fr.196.00

inkl. gesetzl. MwSt.

Beschreibung

Through the analysis of examples that range from cutting-edge Hollywood blockbusters to viral films on the internet, and from Victorian cinema to the present, the contributors to this volume discuss the ways in which thinking about technology is crucial to understanding cinema's forms, significance and impact upon audiences.

Details

Einband

Gebundene Ausgabe

Erscheinungsdatum

27.11.2008

Herausgeber

B. Bennett + weitere

Verlag

Palgrave Macmillan UK

Seitenzahl

265

Beschreibung

Details

Einband

Gebundene Ausgabe

Erscheinungsdatum

27.11.2008

Herausgeber

Verlag

Palgrave Macmillan UK

Seitenzahl

265

Maße (L/B/H)

22.2/14.5/2 cm

Gewicht

480 g

Auflage

2008

Sprache

Englisch

ISBN

978-0-230-52477-4

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  • Cinema and Technology
  • Biographical Notes Acknowledgements Introduction: B.Bennett, M.Furstenau& A.Mackenzie PART 1: FORMAT The Perilous Gauge: Canadian Independent Film Exhibition and the 16mm Mobile Menace; P.Lester BMW Films and the Star Wars Kid: 'Early Web Cinema' and Technology; A.Clay On Some Limits to Film Theory (Mainly From Science); J.Elkins PART 2: NORMS Socially Combustible: Panicky People, Flammable Films, and the Dangerous New Technology of the Nickelodeon; P.Moore Cinema and its Doubles: Kittler vs. Deleuze; J.Harris Genomic Science in Contemporary Film: Institutions, Individuals and Genre; K.O'Riordan PART 3: SCANNING Cinema as Technology: Encounters with an Interface; A.Wood Demonlover : Interval, Affect and the Aesthetics of Digital Dislocation; M.Manojlovic 'Into the décor': Attention and Distraction, Foreground and Background; C.Rodrigues Children, Robots, Cinephilia and Technophobia; B.Bennett PART 4: MOVEMENT Lola and the Vampire: Technologies of Time and Movement in German Cinema; M.Langford Inbetweening: Animation, Deleuze, Film Theory; B.Schaffer Affective Troubles and Cinema; M-L.Angerer Afterword: Digital Cinema and the Apparatus: Archaeologies, Epistemologies, Ontologies; T.Elsaesser Bibliography Index