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Produktbild: The Routledge International Handbook of Practice-Based Research

The Routledge International Handbook of Practice-Based Research

Fr. 419.00

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.12.2021

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss, Tabellen, schwarz-weiss

Herausgeber

Vear Craig

Verlag

Taylor and Francis

Seitenzahl

750

Maße (L/B/H)

26/18.3/4.6 cm

Gewicht

1560 g

Sprache

Englisch

ISBN

978-0-367-34143-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.12.2021

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss, Tabellen, schwarz-weiss

Herausgeber

Vear Craig

Verlag

Taylor and Francis

Seitenzahl

750

Maße (L/B/H)

26/18.3/4.6 cm

Gewicht

1560 g

Sprache

Englisch

ISBN

978-0-367-34143-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Routledge International Handbook of Practice-Based Research
  • Section 1 – Practice-based Research 1.1. Practice-based Research Linda Candy, Ernest Edmonds and Craig Vear 1.2. Interdisciplinary Perspectives on Practice-based Research Jonathan Michaels 1.3. The Academisation of Creativity and the Morphogenesis of the Practice-Based Researcher Mike Philips 1.4. The Studio and Living Laboratory Models for Practice-based Research Linda Candy and Ernest Edmonds 1.5. Practice-based Research at SensiLab Jon McCormack, Alon Ilsar, Tom Chandler, Mike Yeates, Elliott Wilson, Camilo Cruz Gambardella, Nina Rajcic, Maria Teresa Llano and Sojung Bahng 1.6. Working the Space: Augmenting Training for Practice-based Research Becky Shaw 1.7. Understanding Doctoral Communities in Practice-based Research Sian Vaughan 1.8. Research Doctorates in the Arts – A Perspective from Goldsmiths Janis Jefferies 1.9. The PhD in Visual Arts Practice in the USA: Beyond Elkins’ Artists with PhDs Bruce Mackh 1.10. The Relationship between Practice and Research Gavin Sade Section 2 – Knowledge 2.1. Knowledge Linda Candy, Ernest Edmonds and Craig Vear 2.2. Theory as an Active Agent in Practice-based Knowledge Development Linda Candy 2.3. Mapping Practitioner Knowledge: A Framework for Identifying New Knowledge through Practice-based Research Craig Vear 2.4. Mapping the Nature of Knowledge in Creative and Practice-based Research Kristina Niedderer 2.5. Un-knowing: A Strategy for Forging New Directions and Innovative Works through Experiential Materiality Garth Paine 2.6. Appreciative Systems in Doing and Supervising Curatorial Practice-based Research Lizzie Muller 2.7. The Art Object Does Not Embody a Form of Knowledge Revisited Stephen Scrivener 2.8. Research, Shared Knowledge and the Artefact Ernest Edmonds Section 3 – Method 3.1. Method Linda Candy, Ernest Edmonds and Craig Vear 3.2. The Common Ground Model for Practice-based Research Design Falk Hübner 3.3. Finding the Groove: The Rhythms of Practice-based Research Brigid Costello 3.4. Practice-based Research in the Visual Arts: Exploring the Systems of Practice and the Practices of Research Judith Mottram 3.5. Crafting Temporality in Design: Reflecting on and Extending the Creation of Chronoscope Amy Yo Sue Chen and William Odom 3.6. Thinking Together through Practice and Research: Collaborations across Living and Non-living Systems Lucy HG Solomon and Cesar Baio (AKA Cesar & Lois) 3.7. Site: An Inventories Approach to Practice-led Research Graeme Brooker 3.8. Reflective Practice Variants and the Creative Practitioner Linda Candy 3.9. Reflection in Practice: Inter-disciplinary Arts Collaborations in Medical Settings Anna Ledgard, Sofie Layton and Giovanni Biglino 3.10. Making Reflection-in-Action Happen: Methods for Perceptual Emergence Jennifer Seevinck Section 4 – The Practice-based PhD 4.1. The Practice-based PhD Linda Candy, Ernest Edmonds and Craig Vear 4.2. A Play Space for Practice-based PhD Research Sophy Smith 4.3. The Sound of My Hands Typing: Autoethnography as Reflexive Method in Practice-based Research Iain Findlay-Walsh 4.4. Navigating the Unknown: A Dramaturgical Approach Hanna Slättne 4.5. The Practice of Practice-Based Research: Challenges and Strategies Andrew Johnston 4.6. Community-building for Practice-based Doctoral Researchers: Mapping Key Dimensions for Creating Flexible Frameworks Sian Vaughan 4.7. Strategies for Supporting PhD Practice-based Research: The CTx Ecosystem Craig Vear, Sophy Smith and Stacie Lee Bennett-Worth 4.8. Ethics through an Empathetic Lens: A Human-Centred Approach to Ethics in Practice-based Research Falk Hübner 4.9. The Practice-based PhD: Some Practical Considerations Ernest Edmonds Section 5 – Practitioner Voices 5.1. Practitioner Voices Craig Vear 5.2. A New Framework for Enabling Deep Relational Encounter through Participatory Practice-based Research Alice Charlotte Bell 5.3. Risk, Creative Spaces and Creative Identity in Creative Technologies Research (or Why it’s OK for Academic Creative Technology Outputs to look Scrappy and be Buggy) Oliver Brown 5.4. FEEDBACK: Vibrotactile Materials Informing Artistic Practice Øyvind Brandtsegg and Alexandra Murray-Leslie 5.5. Co-evolving Research and Practice - _derivations and the Performer-developer Ben Carey 5.6. Publishing Practice Research: Reflections of an Editor Maria Chatzichristodoulou 5.7. From a PhD to Assisting BioMusic Research Balandino Di Donato 5.8. The Curious Nature of Negotiating Studio-based Practice in PhD Research: Intimate Bodies and Technologies Kerry Francksen 5.9. Encounters at the Fringe: A Relational Approach to Human-robot Interaction Petra Gemeinboeck and Rob Saunders 5.10. The Impact of Public Engagement with Research on a Holographic Practice-based Study Pearl John 5.11. Project-based Participatory Practice and Research: Reflections on Being ‘in the Field’ Gail Kenning 5.12. Bearing Witness - the Artist within the Medical Landscape: Reflections on a Participatory and Personal Research by Practice Sofie Layton 5.13. Organisational Encounters and Speculative Weavings: Questioning a Body of Material Debbie Michaels 5.14. Improvising as Practice/Research Method Corey Mwamba 5.15. Dreaming of Utopian Cities: Art, Technology, Creative AI, and New Knowledge Fabrizio Augusto Poltronieri 5.16. Curating Interactive Art as a Practice-based Researcher: An Enquiry into the Role of Autoethnography and Reflective Practice Deborah Turnbull Tillman 5.17. Please Touch! Marloeke van der Vlugt