Gutscheinbedingungen

*Gültig bis 23.07.2025 auf alle Bücher. Ausgeschlossen sind Zeitschriften, Prozentbücher und Abos | Einlösbar in allen Buchhandlungen von Orell Füssli, Barth Bücher, Buchladen Rapunzel, Buchparadies, Schuler Orell Füssli, Stauffacher und ZAP unter Vorweisung des Gutscheins, auf www.orellfüssli.ch durch Eingabe des Gutscheincodes. Beim Service „eBooks verschenken“ und bei eBook-Käufen via eReader nicht einlösbar | Mindesteinkaufswert: Fr. 30.- | Nicht mit anderen Rabatten kumulierbar.

Produktbild: Lessons in Chemistry

Lessons in Chemistry

10

Fr. 74.90

inkl. MwSt, Versandkostenfrei

Details

Gesprochen von

Miranda Raison + weitere

Spieldauer

12 Stunden

Erscheinungsdatum

08.08.2023

Hörtyp

Lesung

Fassung

ungekürzt

Medium

CD

Sprache

Englisch

EAN

9780593862407

Details

Gesprochen von

Spieldauer

12 Stunden

Erscheinungsdatum

08.08.2023

Hörtyp

Lesung

Fassung

ungekürzt

Medium

CD

Sprache

Englisch

EAN

9780593862407

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Unsere Kundinnen und Kunden meinen

10 Bewertungen

Informationen zu Bewertungen

Zur Abgabe einer Bewertung ist eine Anmeldung im Konto notwendig. Die Authentizität der Bewertungen wird von uns nicht überprüft. Wir behalten uns vor, Bewertungstexte, die unseren Richtlinien widersprechen, entsprechend zu kürzen oder zu löschen.

5 Sterne

4 Sterne

(0)

3 Sterne

(0)

2 Sterne

(0)

1 Sterne

Disappointing with a hair-raising deus ex machina ending

NoraStorm am 09.04.2025

Bewertungsnummer: 2462244

Bewertet: Hörbuch (CD)

One chapter of my doctoral thesis was dedicated to Rosalind Franklin, the co-discoverer of DNA, and so I was initially fascinated by Elizabeth Zott's life as a chemist in the 1950s and 1960s. Zott's enormous difficulties in asserting herself against men in science and research captivated me (Rosalind Franklin also had these very problems). The fact that Zott is much cleverer than the men around her and yet, or perhaps precisely because of this, doesn't make any progress with her research is very plausible for the time and comes across convincingly in the novel. However, I didn't like the fact that Zott is slightly autistic. Nowadays, this trait might make a protagonist interesting, especially with a science and research background, but in the 1950s, a woman with such behavior and speech patterns would have been hard-pressed to get a foothold anywhere. I also had problems with the plot. Yes, there are meticulous explanations on how Zott gets back on track financially with her illegitimate daughter and how she manages to become a TV chef, but hardly any of it was plausible. Nevertheless, it was good entertainment and I thought it was wonderful that Zott, as a TV chef/applied chemist, becomes a TV icon with enormous reach. But this is precisely where the message that Elizabeth Zott sends irritated me: Becoming an icon as cooking chemist for women and being a role model for professional self-fulfillment is apparently not something to aspire to. From the very beginning, Zott devalues her own performance and achievements, as if science and scientific success only count in a male-dominated and male-defined scientific environment – and cooking, as a female activity in a female environment, apparently doesn't count, even when it's presented in a high-level chemistry context. I found this message very, very unfortunate. Even though Zott's TV show changes the lives of many women and massively broadens their horizons, Zott herself can't see anything positive in all these effects. What is the message the novel is trying to convey here? Success and recognition in a so-called women's domain are worthless? Long live the patriarchy? Disconcerting. But the most disconcerting part was the ending: Zott quit her TV show and is left with nothing, and no one will give her a suitable job. SPOILER: Here the author resorts to a trick from ancient theater: In the last chapter, a deus ex machina (God out of the machine), the organizing hand from above, appears out of nowhere and sets everything right, in the form of Calvin Evans' mother. Calvin is the deceased father of Zott's daughter and grew up in an orphanage himself, having been given away as an illegitimate child. Now it turns out that Calvin's mother is filthy rich and bought the laboratory from which Zott was expelled when pregnant. It also turns out that she knew about Calvin, Zott, and her daughter, but never approached any of them because she never considered it necessary. But now that Zott is financially at her wit's end, she intervenes and provides Zott with a carefree existence in exactly the scientific environment she desires. A veritable dea ex machina, then, who buys another woman a position in a male-dominated domain because Zott couldn't make it on her own. What a message! One detail has stuck with me in particular: I think I heard in the audiobook that Calvin's filthy rich mother was placed under guardianship and can only act through her guardian/lawyer, who has access to her wealth. So: One powerless mother (dea ex machina) saves another powerless mother (Zott) and secures the latter a secure position in the patriarchy of science. What kind of 19th-century message is that?!? Women are incapable and thus dependent on divine intervention? Only in patriarchal structures and male domains (research labs) does an intelligent woman want to achieve self-fulfillment? A truly disappointing final chapter. One star for the best character of this novel, i.e. the dog Six Thirty. PS: The English audiobook is nicely read by Miranda Raison.

Disappointing with a hair-raising deus ex machina ending

NoraStorm am 09.04.2025
Bewertungsnummer: 2462244
Bewertet: Hörbuch (CD)

One chapter of my doctoral thesis was dedicated to Rosalind Franklin, the co-discoverer of DNA, and so I was initially fascinated by Elizabeth Zott's life as a chemist in the 1950s and 1960s. Zott's enormous difficulties in asserting herself against men in science and research captivated me (Rosalind Franklin also had these very problems). The fact that Zott is much cleverer than the men around her and yet, or perhaps precisely because of this, doesn't make any progress with her research is very plausible for the time and comes across convincingly in the novel. However, I didn't like the fact that Zott is slightly autistic. Nowadays, this trait might make a protagonist interesting, especially with a science and research background, but in the 1950s, a woman with such behavior and speech patterns would have been hard-pressed to get a foothold anywhere. I also had problems with the plot. Yes, there are meticulous explanations on how Zott gets back on track financially with her illegitimate daughter and how she manages to become a TV chef, but hardly any of it was plausible. Nevertheless, it was good entertainment and I thought it was wonderful that Zott, as a TV chef/applied chemist, becomes a TV icon with enormous reach. But this is precisely where the message that Elizabeth Zott sends irritated me: Becoming an icon as cooking chemist for women and being a role model for professional self-fulfillment is apparently not something to aspire to. From the very beginning, Zott devalues her own performance and achievements, as if science and scientific success only count in a male-dominated and male-defined scientific environment – and cooking, as a female activity in a female environment, apparently doesn't count, even when it's presented in a high-level chemistry context. I found this message very, very unfortunate. Even though Zott's TV show changes the lives of many women and massively broadens their horizons, Zott herself can't see anything positive in all these effects. What is the message the novel is trying to convey here? Success and recognition in a so-called women's domain are worthless? Long live the patriarchy? Disconcerting. But the most disconcerting part was the ending: Zott quit her TV show and is left with nothing, and no one will give her a suitable job. SPOILER: Here the author resorts to a trick from ancient theater: In the last chapter, a deus ex machina (God out of the machine), the organizing hand from above, appears out of nowhere and sets everything right, in the form of Calvin Evans' mother. Calvin is the deceased father of Zott's daughter and grew up in an orphanage himself, having been given away as an illegitimate child. Now it turns out that Calvin's mother is filthy rich and bought the laboratory from which Zott was expelled when pregnant. It also turns out that she knew about Calvin, Zott, and her daughter, but never approached any of them because she never considered it necessary. But now that Zott is financially at her wit's end, she intervenes and provides Zott with a carefree existence in exactly the scientific environment she desires. A veritable dea ex machina, then, who buys another woman a position in a male-dominated domain because Zott couldn't make it on her own. What a message! One detail has stuck with me in particular: I think I heard in the audiobook that Calvin's filthy rich mother was placed under guardianship and can only act through her guardian/lawyer, who has access to her wealth. So: One powerless mother (dea ex machina) saves another powerless mother (Zott) and secures the latter a secure position in the patriarchy of science. What kind of 19th-century message is that?!? Women are incapable and thus dependent on divine intervention? Only in patriarchal structures and male domains (research labs) does an intelligent woman want to achieve self-fulfillment? A truly disappointing final chapter. One star for the best character of this novel, i.e. the dog Six Thirty. PS: The English audiobook is nicely read by Miranda Raison.

this book is my roman empire and biggest inspiration

Bewertung (Mitglied der Book Circle Community) am 12.03.2025

Bewertungsnummer: 2436086

Bewertet: eBook (ePUB)

Elisabeth Zott the woman you are!! I absolutely loved this book—every single thing about it. The characters are so deeply written and incredibly relatable. I even found myself wanting to get a dog and teach him the dictionary, just like the main character, Elisabeth Zott—a brilliant chemist! As a woman in STEM, the inspiration and motivation I got from this book were insane. I was crying way too much over mere ink on paper, but honestly? It was worth it. I’d recommend this book to everyone!

this book is my roman empire and biggest inspiration

Bewertung (Mitglied der Book Circle Community) am 12.03.2025
Bewertungsnummer: 2436086
Bewertet: eBook (ePUB)

Elisabeth Zott the woman you are!! I absolutely loved this book—every single thing about it. The characters are so deeply written and incredibly relatable. I even found myself wanting to get a dog and teach him the dictionary, just like the main character, Elisabeth Zott—a brilliant chemist! As a woman in STEM, the inspiration and motivation I got from this book were insane. I was crying way too much over mere ink on paper, but honestly? It was worth it. I’d recommend this book to everyone!

Unsere Kundinnen und Kunden meinen

Lessons in Chemistry

von Bonnie Garmus

0 Bewertungen filtern

Meinungen aus unserer Buchhandlung

Es ist ein Problem aufgetreten. Bitte laden Sie die Seite neu und versuchen es noch einmal.

Yammie Tran

Orell Füssli Bahnhof Aarau

Zum Portrait

4/5

if Evelyn Hugo was a scientist,...

Bewertet: eBook (ePUB)

if Evelyn Hugo was a scientist, if Amy Farrah Fowler had (much) more confidence, this would be it. under no circumstances was "Lessons in Chemistry" a funny book, but it caught and kept my attention just like "The Seven Husbands of Evelyn Hugo" did.
  • Yammie Tran
  • Buchhändler/-in

Es ist ein Problem aufgetreten. Bitte laden Sie die Seite neu und versuchen es noch einmal.

4/5

if Evelyn Hugo was a scientist,...

Bewertet: eBook (ePUB)

if Evelyn Hugo was a scientist, if Amy Farrah Fowler had (much) more confidence, this would be it. under no circumstances was "Lessons in Chemistry" a funny book, but it caught and kept my attention just like "The Seven Husbands of Evelyn Hugo" did.

Es ist ein Problem aufgetreten. Bitte laden Sie die Seite neu und versuchen es noch einmal.

Katharina Dietrich

Orell Füssli Winterthur

Zum Portrait

5/5

Humorous tale of a Female Chemist who turns into a TV-Chef

Bewertet: Buch (Taschenbuch)

Elizabeth ist a Chemist and she loves her proffession. But she has a really hard time, because her co-Workers despise her for beeing female and dont want to take her seriously. This novel tells us her storry about her love, her struggels and her fame. Its written in a humorous way and it made me smile so many times.
  • Katharina Dietrich
  • Buchhändler/-in

Es ist ein Problem aufgetreten. Bitte laden Sie die Seite neu und versuchen es noch einmal.

5/5

Humorous tale of a Female Chemist who turns into a TV-Chef

Bewertet: Buch (Taschenbuch)

Elizabeth ist a Chemist and she loves her proffession. But she has a really hard time, because her co-Workers despise her for beeing female and dont want to take her seriously. This novel tells us her storry about her love, her struggels and her fame. Its written in a humorous way and it made me smile so many times.

Meinungen aus unserer Buchhandlung

Lessons in Chemistry

von Bonnie Garmus

0 Rezensionen filtern

Die Leseprobe wird geladen.
  • Produktbild: Lessons in Chemistry