Hlynur Bjorn sleeps in. He surfs the Web. He tests the efficacy of various pornography. And at night, he hits the K-bar for a few drinks, maybe a tab of E, and perhaps a bit of sex before another crash. He'd blithely remain in this cycle forever, but when his part-time girlfriend reveals she's pregnant, his way of life is threatened. Hlynur withdraws and becomes obsessed with his mother's best friend, only to discover, after he's shagged her, that she's his mother's lesbian lover. And just when you believe he couldn't twist up his life any further, Hlynur finds a way.
Icelandic novelist HallgrÍmur Helgason inhabits his antihero's mind with marvelous acuity, subversive wit, and devilish charm. Hlynur is a true product of our postmodern global culture. Well beyond slackerdom, he lives at home with his mother and depends on social welfare. He's a quick-witted and articulate young man, and there's nothing wrong with him -- other than a total lack of ambition, an off-kilter sense of morality, and a nagging set of existential woes.
Against the backdrop of ReykjavÍk's storied nightlife and amid the swelling global presence of Icelandic culture, Helgason portrays with brutal honesty and humor a young man who takes uselessness to new extremes, and for whom redemption may not be an option. 101 ReykjavÍk is a spectacularly inventive, darkly comic tale of depraved and inspired humanity.
Hallgrimur Helgason, geboren 1959, Studium der Malerei in München, Paris und New York, mehrere Ausstellungen. Arbeit als Zeichner eine Comic-Serie für eine isländische Zeitung. Danach Veröffentlichungen, auch Bühnenstücke. Sein Roman "101 Reykjavík" (auch verfilmt) erhielt 1998 den Nordic Council Prize. Sein Roman "Vom zweifelhaften Vergnügen, tot zu sein" erhielt den Isländischen Literaturpreis sowie den Literaturpreis der Isländischen Buchhändler.