A Story of Pastoral Life in England
- Bewertet: Einband: Taschenbuch
"Far from the madding crowd" is the story of shepherd Gabriel Oaks and his love to the bewitching Bathsheba Everdene. While visiting relatives, Bathsheba meets their neighbour Gabriel. For him it is almost love at first sight and he offers for her within a week. Gabriel is an amiable young man, really down to earth he knows ex... "Far from the madding crowd" is the story of shepherd Gabriel Oaks and his love to the bewitching Bathsheba Everdene. While visiting relatives, Bathsheba meets their neighbour Gabriel. For him it is almost love at first sight and he offers for her within a week. Gabriel is an amiable young man, really down to earth he knows exactly what to wish for in life: he wants to change from shepherd to farmer, with an estate of his own, a suitable wife to build up a family. Gabriel is a hard working man, with enough confidence in his own strength. He gets his first set back, when Bathsheba, although flattered to have received her first proposal of marriage, rejects him. Shortly after fate turns against Gabriel: He loses all his sheep because of an untrained dog and must bury all hopes of ever becoming a farmer. But Gabriel does not despair - he leaves his home to look for work as a shepherd elsewhere. He finally finds new employment after estinguishing a fire in a farm building. The farm owner is nobody else but Bathsheba, who has recently inherited the estate after her uncle's death. Still secretly in love with Bathsheba, Gabriel must watch how she attracts other men. There is an elderly neighbouring farmer, as well as a dashing sergeant. Has Bathsheba matured enough by now to accept a man in marriage? Can she really make up her mind, who would suit her best? Is her choice a wise one, or may Gabriel still hope? Thomas Hardy gives an impressive description of pastoral life, creates amiable, forceful characters, main as well as minor, and succeeds in keeping the reader interested until the end. (This comment refers to another edition of the book.)
Far from the Madding Crowd
Taschenbuchab Fr. 4.90
gebundene Ausgabeab Fr. 7.40
eBookab Fr. 0.78
Hörbuchab Fr. 25.90
Set mit diversen ArtikelnFr. 15.90
(Book Jacket Status: Not Jacketed) Introduction by Michael Slater
Thomas Hardy, whose writing immortalized the Wessex countryside and dramatized his sense of the inevitable tragedy of life, was born at Upper Bockhampton, near Stinsford in Dorset in 1840, the eldest child of a prosperous stonemason. As a youth he trained as an architect and in 1862 obtained a post in London. During his time he began seriously to write poetry, which remained his first literary love and his last. In 1867-68, his first novel was refused publication, but
Under the Greenwood Tree (1872), his first Wessex novel, did well enough to convince him to continue writing. In 1874,
Far from the Madding Crowd, published serially and anonymously in the
Cornhill Magazine, became a great success. Hardy married Emma Gifford in 1878, and in 1885 they settled at Max Gate in Dorchester, where he lived the rest of his life. There he had wrote
The Return of the Native (1878),
The Mayor of Casterbridge (1886),
Tess of the d’Urbervilles (1891), and
Jude the Obscure (1895).
With Tess, Hardy clashed with the expectations of his audience; a storm of abuse broke over the “infidelity” and “obscenity” of this great novel he had subtitled “A Pure Woman Faithfully Presented.” Jude the Obscure aroused even greater indignation and was denounced as pornography. Hardy’s disgust at the reaction to Jude led him to announce in 1869 that he would never write fiction ever again. He published
Wessex Poems in 1898,
Poems of the Past and Present in 1901, and from 1903 to 1908, The Dynast, a huge drama in which Hardy’ s conception of the Immanent Will, implicit in the tragic novels, is most clearly stated.
In 1912 Hardy’s wife, Emma died. The marriage was childless and had been a troubled one, but in the years after her death, Hardy memorialized her in several poems. At seventy-four he married his longtime secretary, Florence Dugdale, herself a writer of children’s books and articles, with whom he live happily until his death in 1928. His heart was buried in the Wessex Countryside; his ashes were placed next to Charles Dickens’s in the Poet’s Corner of Westminster Abbey.