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Huron, D: Voice Leading

The Science behind a Musical Art

David Huron

Buch (gebundene Ausgabe, Englisch)
Buch (gebundene Ausgabe, Englisch)
Fr. 59.90
Fr. 59.90
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inkl. gesetzl. MwSt.
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  • Huron, D: Voice Leading - The Science behind a Musical Art

    MIT Press Ltd

    wird besorgt, Lieferzeit unbekannt

    Fr. 47.90

    MIT Press Ltd

gebundene Ausgabe

Fr. 59.90

Accordion öffnen
  • Huron, D: Voice Leading

    MIT Press Ltd

    wird besorgt, Lieferzeit unbekannt

    Fr. 59.90

    MIT Press Ltd

eBook (ePUB 3)

Fr. 36.90

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Beschreibung

An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others.

Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds "leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception.

Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.

David Huron is Distinguished Professor in the School of Music and in the Center for Cognitive and Brain Sciences at the Ohio State University; he is author of
Sweet Anticipation: Music and the Psychology of Expectation (MIT Press).

Produktdetails

Einband gebundene Ausgabe
Seitenzahl 272
Erscheinungsdatum 02.09.2016
Sprache Englisch
ISBN 978-0-262-03485-2
Reihe The MIT Press
Verlag MIT Press Ltd
Maße (L/B/H) 23.6/15.8/2.2 cm
Gewicht 492 g
Abbildungen 52 b 104 Illustrations, unspecified

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