Hawkey, J: God's Song and Music's Meanings

Theology, Liturgy, and Musicology in Dialogue

James Hawkey, Ben Quash

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James Hawkey is Canon Theologian of Westminster Abbey, and a Fellow of Clare College, Cambridge, UK. Ben Quash is Professor of Christianity and the Arts and Director of the Centre for Arts and the Sacred at King’s College London, UK. Vernon White is Visiting Professor in Theology at King’s College London, UK. Until recently he was also Sub-Dean and Canon Theologian at Westminster Abbey.


Einband gebundene Ausgabe
Herausgeber James Hawkey, Ben Quash, Vernon White
Seitenzahl 206
Erscheinungsdatum 05.06.2018
Sprache Englisch
ISBN 978-1-4724-7864-1
Reihe Routledge Studies in Theology, Imagination and the Arts
Verlag Taylor and Francis
Maße (L/B) 23.5/15.9 cm
Gewicht 454 g
Abbildungen 1 Line drawings, black and white 1 Halftones, black and white 2 Illustrations, black and white


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  • Foreword Ben Quash Introduction: What Does ‘Musical Meaning’ Mean? Jeremy Begbie SECTION 1: THE MEANINGS OF MUSIC IN WESTERN HISTORY 1. Providence and Prayer: the Theology of Music in the Patristic Church Carol Harrison 2. Music in the Great Chain of Being: Medieval Christianity Emma Dillon 3. Hearing Revelation: Music and Theology in the Reformation Jonathan Arnold 4. Music, Atheism and Modernity Gareth Wilson   SECTION 2: MUSIC’S MEANING IN WORSHIP 4. The Worship of God and the Quest of the Spirit: ‘Contemporary’ versus ‘Traditional’ Church Music Gordon Graham 5. The Rise of the Individual, and the Fall of Communal Participation Anthony Ruff   SECTION 3: MUSICAL MEANING IN CHURCH AND WORLD 6. Musical Promiscuity: the Gods Music Serves Lucy Winkett 7. What’s Sacred About ‘Sacred Music’? John Butt   SECTION 4: GOD, THE COSMOS, AND THE MEANING OF MUSIC 8. Christ the Song of God: Is Music Absolute? Daniel Chua 9. Sacred Music and the Holy Trinity David Bentley Hart CONCLUSION Response to the Essays Rowan Williams