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Boyne, J: The Heart's Invisible Furies

John Boyne

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Beschreibung

Cyril Avery is not a real Avery or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he?

Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

At the mercy of fortune and coincidence, he will spend a lifetime coming to know himself and where he came from - and over his three score years and ten, will struggle to discover an identity, a home, a country and much more.

In this, Boyne's most transcendent work to date, we are shown the story of Ireland from the 1940s to today through the eyes of one ordinary man. The Heart's Invisible Furies is a novel to make you laugh and cry while reminding us all of the redemptive power of the human spirit.

John Boyne was born in Ireland in 1971. He is the author of eleven novels for adults, five for young readers and a collection of short stories. Perhaps best known for his 2006 multi-award-winning book The Boy In The Striped Pyjamas, John's other novels, notably The Absolutist and A History of Loneliness, have been widely praised and are international bestsellers. Most recently, The Heart's Invisible Furies was a Richard & Judy Bookclub word-of-mouth bestseller.

His novels are published in over fifty languages.

Produktdetails

Einband gebundene Ausgabe
Seitenzahl 608
Erscheinungsdatum 09.02.2017
Sprache Englisch
ISBN 978-0-85752-347-1
Verlag Random House UK Ltd
Maße (L/B/H) 23.8/15.4/4.8 cm
Gewicht 786 g

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A gripping, heartwarming story between laughing and crying
von Circlestones Books Blog am 11.06.2018
Bewertet: Einband: Taschenbuch

„When was the exact moment that I might have found some courage and for once in my life done the right thing?“ (Quotation page 341) Content: In 1945, sixteen years old Catherine Goggin gets pregnant. As she refuses to name the father of the child to the Catholic priest during Mass, she has to immediately leave her home villa... „When was the exact moment that I might have found some courage and for once in my life done the right thing?“ (Quotation page 341) Content: In 1945, sixteen years old Catherine Goggin gets pregnant. As she refuses to name the father of the child to the Catholic priest during Mass, she has to immediately leave her home village Goleen and goes to Dublin. After birth, she gives her baby to a nun who has found parents with money and status for the child, that adopt the boy, calling him Cyrus. He first meets Julian Woodbead in 1952, when he is seven years old. In 1959, they meet again as roommates at Belvedere College. He adores Julian but there are also strange feelings, which he thinks to be just some sentimental misinterpretation of a fourteen years old. However, neglecting the truth leads to many years of hiding his secret, misunderstandings, travelling, until he finds his identity and place in life … Theme and genre: This epic novel could also be a biography. Main theme is homosexuality in the years where it still was forbidden, especially in Ireland under the pressure of the very strict rules of the Catholic Church and society. Another topic is AIDS in a time when people believed that only gay people could get it. The story of Cyril is also about friendship, compassion and how a lie can have big consequences. Characters: Cyril, the main protagonist, tries to hide his feelings for Julian and his sexual orientation and it takes him many years to accept, who he is. Sometimes the situation makes him weak, deeply hurting other persons instead of just telling the truth. On the other hand, destiny bringst some twists and hazards into his life which are not his fault and which he has to handle. Therefore he remains likeable to the reader. This novel is full of interesting characters, their friendship, their struggles and especially the short scenes when Cyril and his real mother meet during the years without knowing who they are, are touching. Plot and writing: The novel is written like a biography, with Cyril as the first person narrative. He tells the story of his life in chronological order, beginning with the story of his birth 1945, which his mother many years later had told him, until 2015. There are many twists, changes of location that make the book gripping to read, very interesting how some of the characters in different times come into the story again. John Boyne shows a great feeling for the language and a fantastic ability of plot building. Conclusion: A gripping, heartwarming but also entertaining story, that gives the reader every feeling between laughing and crying.

The Heart's Invisible Furies
von miss.mesmerized am 15.02.2017

Ireland 1945. Catherine is 16, unmarried and pregnant. She is chased away from her village from a priest during mass in front of the whole congregation and determined to start a new life in Dublin. The baby, however, will have to be up for adoption, a loving couple will give him a better start in life than a fallen woman. Thus, ... Ireland 1945. Catherine is 16, unmarried and pregnant. She is chased away from her village from a priest during mass in front of the whole congregation and determined to start a new life in Dublin. The baby, however, will have to be up for adoption, a loving couple will give him a better start in life than a fallen woman. Thus, baby Cyril arrives at the Averies’. Maud and Charles are not especially cordial, but they care for him and in Julian he finds a friend for his life. Even though the circumstances of his upbringing are much better than expected in the first place, Cyril’s life is not meant to be easy: already as a young teenager he realises that he is much more interested in the boys around him than in the girls – an impossibility in Catholic Ireland. Will he ever be able to find real love? Or didn’t he already find it in his best friend Julian? John Boyne’s novel is a documentary of the 20th century and the development of morals in Catholic European countries. From the very beginning with strict rules which were much more important than the individual’s suffering, over the 60s and 70s with free love and the detachment from all moral considerations, to the 80s and the uncontrollable and unpredictable virus which threatened the world and made people think over their behaviour until our time where – at least in the novel – new ways of understanding the concepts of family and belonging have formed. The protagonist Cyril is strong enough to lead the reader through the times and to overcome obstacles with his gentle and open-minded manners and attitude towards life. He is simply lovable, still at times, you pity and feel sympathy for him because luck does not really seem to be on his side. Apart from the plot which I found quite interesting since you get an exemplary insight into what homosexuals had to go through in the 20s century, it is Boyne’s style of writing which makes this novel stand out. Sometimes, you could just laugh out loud, e.g. when Cyril explains how his adoptive parents decided on his name: “They had named me Cyril for a spaniel they’d once owned and loved.” (pos. 875) or when he recollects how his father explains him about the birds and the bees (which is just not suitable for any quotation even though it is hilarious). Boyne has quite a limited set of characters considering the number of pages of the novel, they reappear, meet again and again, at times it seemed as if there were maybe too many coincidences to believe it, but even nevertheless it all fit together well and finished in a round and complete ending. Admittedly, I was occasionally reminded of Hanya Yanagihara’s novel “A little life”, in both novels we find a homosexual as protagonist who has to struggle all his life due to his sexual orientation, societal standards and expectations and who is highly sensitive and perceptive for other people’s feelings and emotions. Yet, the novels are quite different. Where I could feel physical pain in Yanagihara’s, I enjoyed the light tone of Boyne’s novel and the fact that he manages to tell a serious and sometimes arduous story in such a light, amusing way.

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