Produktbild: Color and Mastering for Digital Cinema

Color and Mastering for Digital Cinema A Digital Cinema Industry Handbook

Fr. 143.00

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

16.10.2006

Verlag

Butterworth-Heinemann

Seitenzahl

202

Maße (L/B/H)

24.5/19.7/1.9 cm

Gewicht

665 g

Sprache

Englisch

ISBN

978-0-240-80874-1

Beschreibung

Rezension

"As digital intermediates become increasingly prevalent and a greater number of theaters convert to digital projection, an understanding of the concepts the author explores is pivotal for filmmakers at all stages of the postproduction workflow. The clarity of Kennel's writing and his broad approach make Color and Mastering for a Digital Cinema a fine overview of the subject." -Jim Hemphill, American Cinematographer Magazine

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

16.10.2006

Verlag

Butterworth-Heinemann

Seitenzahl

202

Maße (L/B/H)

24.5/19.7/1.9 cm

Gewicht

665 g

Sprache

Englisch

ISBN

978-0-240-80874-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Color and Mastering for Digital Cinema
  • Objectives
    - Universal distribution master
    - Based on open standards
    - Device Independent
    - Extensible as technology advances
    - Compatible with today's film distribution
    > Screen luminance 14 ft L
    > White point 0.314 0.351 based on Xenon practice

    Color Space
    - Options considered
    - Why XYZ was chosen
    - Explanation of CIE color and x y diagrams
    - Image state - output referred

    Transfer Function
    - Why gamma 2.6
    - Why 12 bits
    - Contrast Sensitivity test
    - Full range
    - Normalization to support other white points

    Reference Projector and Environment
    - Reference Projector
    - Environment
    - Calibration
    - Projector Measurements

    Digital Intermediate Process
    - Film and digital raw inputs
    - Film centric workflow- printing density
    - Print Film Emulation in reference display
    - Color Transforms to XYZ
    - Impact on color correctors and other equipment or software
    - Output referred encoding
    - Metadata on reference projector

    Color Transformations
    - ICT in JPEG 2000
    - Color transform to RGB in the projector
    - Color calibration in-situ
    - Gamut mapping in the projector
    - Nature's tone mapping

    DLP Cinema - a case study
    - How DLP technology works
    - Initial industry demonstrations
    - Responding to creative requests
    - Expansion of color gamut
    - P7v2 to expedite film matching
    - Color calibration in-situ
    - 3D LUT for gamut mapping
    - 3D LUT for film emulation
    - Expansion of contrast ratio
    - Cinelink® link encryption
    - Cinecanvas® subtitles

    Digital 3D Presentation
    - Screen luminance requirement
    - Impact on color appearance
    - Dual link 4:2:2 interface
    - Various presentation options:
    > Dual projector; passive polarizers
    > Single projector; active glasses
    > Single projector with Z-screen; passive glasses
    > Infitec color filters

    The Future
    - Impact of wider gamut light sources
    - Gamut mapping requirements
    - Impact of digital cameras
    - 48 FPS for enhanced motion
    - Will film distribution be phased out?
    - Digital cinema centric workflow
    - Color Appearance Modeling
    - Auto color transforms for home video and other outputs