Part I Communicating in a World of Art 1 Art Worlds Roles in the Art World The Artist The Art Dealer The Patron and the Collector The Critic and the Art Historian The Audience Two Case Histories The Vietnam Memorial The Rockefeller Center Mural Art Museums 2 Interpreting Works of Art The Traditional Subjects of Art Portraits of Individuals The Still Life The Nude Figure The Landscape The Divine Powers Abstract Art Part II Analyzing Works of Art 3 The Elements of Art Line Some Uses of Line in Sculpture Shape Value Color Texture Mass and Space Sculptural Mass and Space Illusions of Mass and Space Size and Scale Four Systems of Perspective Time and Movement 4 Understanding Design Unity Variety Balance Rhythm Emphasis Proportion The Golden Mean The Canon of Human Proportions Intuitive Proportions Composing Designs The Circle and the Square The Triangle The Problem of Style Part III Art Media 5 The Graphic Media Drawing The Sketch, the Study, and the Finished Drawing The Tools and Materials of Drawing Printmaking Relief Prints: Woodcut and Linocut Intaglio Prints: Engraving and Etching Lithography Serigraphy Photographic and Computer Arts Photography Color Photography Cinema Video Digital Photography and Computer Graphics Virtual Reality Originality and Truth 6 Painting Fresco Michelangelos Sistine Chapel Ceiling Orozcos Caba as Orphanage Watercolor Tempera Oil Painting Acrylic Painting 7 Sculpture Relief and Round Traditional Materials and Techniques Carving Modeling Casting The Materials and Techniques of 20th-century Sculpture Construction in Hard Materials Construction in Soft Materials Site Specific and Environmental Sculpture Sculpture Based on Energy Designing New Forms for the Human Body Part IV Architecture and Applied Design 8 Styles and Structures in Architecture and the Environment Building with Beams The Post and Lintel System The Cantilever The Truss Classical Architecture Building with Blocks The Arch The Vault The Dome Gothic Architecture The Renaissance Dome Sirigu Chana The Design of Cities The Ancient City The Traditional City The Modern City Modern Architecture Frank Lloyd Wright Le Corbusier Recent Trends in Architecture 9 Design Applications The Architectural Interior The Palace of Versailles and French Design The Bauhaus Recent Furniture and Interiors Textiles and Clothing Ancient Greek Clothing An Ancient Textile Industry in Peru European Clothing of the 16th to 19th Centuries Modern Dress Three Technologies of Fire Ceramics Glass Metal Design in Motion Part V Recognizing the Great Styles 10 Ancient Styles The Stone Age Art in the Early Cities Mesopoamia Egypt The Maya The Classical Styles of Greece and Rome Greece Hellenistic Art, 330-30 B.C The Roman Empire 11 Styles of the Middle Ages: 400-1400 Christian Styles of Europe Byzantine Art Western European Art The Art of Islam The Art of Africa Art in China 12 Styles of the Colombian Age: 15th-18th Centuries The Renaissance in Italy Artists and Patrons The Artists The Audience and the Critics Subjects Three Phases of Renaissance Style Venice in the 1500s The Renaissance in Northern Europe Realism and Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the Rock: Art in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen Buddhism European Art from 1600 to 1750 Baroque Style Rococco Style 13 Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art: 1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the Irrational Realism: Nothing but the Truth Courbet and Millet An International Movement Manet and the Foundations of Modernism Impressionism Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure Post-Impressionism Seurat and Pointillism Cezanne Van Gough and Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris: 1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late 20th-century Globalism New York as an International Center Abstract Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism The Shamans Globalism References Suggested Reading Glossary culpture Based on Energy Designing New Forms for the Human Body Part IV Architecture and Applied Design 8 Styles and Structures in Architecture and the Environment Building with Beams The Post and Lintel System The Cantilever The Truss Classical Architecture Building with Blocks The Arch The Vault The Dome Gothic Architecture The Renaissance Dome Sirigu Chana The Design of Cities The Ancient City The Traditional City The Modern City Modern Architecture Frank Lloyd Wright Le Corbusier Recent Trends in Architecture 9 Design Applications The Architectural Interior The Palace of Versailles and French Design The Bauhaus Recent Furniture and Interiors Textiles and Clothing Ancient Greek Clothing An Ancient Textile Industry in Peru European Clothing of the 16th to 19th Centuries Modern Dress Three Technologies of Fire Ceramics Glass Metal Design in Motion Part V Recognizing the Great Styles 10 Ancient Styles The Stone Age Art in the Early Cities Mesopoamia Egypt The Maya The Classical Styles of Greece and Rome Greece Hellenistic Art, 330-30 B.C The Roman Empire 11 Styles of the Middle Ages: 400-1400 Christian Styles of Europe Byzantine Art Western European Art The Art of Islam The Art of Africa Art in China 12 Styles of the Colombian Age: 15th-18th Centuries The Renaissance in Italy Artists and Patrons The Artists The Audience and the Critics Subjects Three Phases of Renaissance Style Venice in the 1500s The Renaissance in Northern Europe Realism and Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the Rock: Art in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen Buddhism European Art from 1600 to 1750 Baroque Style Rococco Style 13 Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art: 1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the Irrational Realism: Nothing but the Truth Courbet and Millet An International Movement Manet and the Foundations of Modernism Impressionism Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure Post-Impressionism Seurat and Pointillism Cezanne Van Gough and Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris: 1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late 20th-century Globalism New York as an International Center Abstract Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism The Shamans Globalism References Suggested Reading Glossary
