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Produktbild: DeWitt, M: Roots Music

DeWitt, M: Roots Music

Aus der Reihe The Library of Essays on Popular Music

Fr. 479.00

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.10.2011

Abbildungen

mit Illustrationen

Herausgeber

Mark F. DeWitt

Verlag

Taylor and Francis

Seitenzahl

536

Maße (L/B)

24.4/16.9 cm

Gewicht

1247 g

Sprache

Englisch

ISBN

978-0-7546-2962-7

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.10.2011

Abbildungen

mit Illustrationen

Herausgeber

Mark F. DeWitt

Verlag

Taylor and Francis

Seitenzahl

536

Maße (L/B)

24.4/16.9 cm

Gewicht

1247 g

Sprache

Englisch

ISBN

978-0-7546-2962-7

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  • Produktbild: DeWitt, M: Roots Music
  • Part I Roots, Deconstructed: The popular marketing of 'old ballads': the ballad revival and 18th-century antiquarianism reconsidered, Dianne Dugaw; Another history of bluegrass: the segregation of popular music in the United States, 1820-1900, Allen Farmelo; Analogies and differences in African-American musical cultures across the hemisphere: interpretive models and research strategies, Gerhard Kubik; Love and theft: the racial unconscious of blackface minstrelsy, Eric Lott; 'That wild Mercury sound': Bob Dylan and the illusion of American culture, Barry Shank.; Part II Roots, Experienced: Zydeco/zarico: beans, blues and beyond, Barry Jean Ancelet; Sounding out the city: music and the sensuous production of place, Sara Cohen; Techniques of blues composition among Black folksingers, David Evans; Changing contexts for traditional dance music in Ireland: the rise of group performance, Hazel Fairbairn; 'A special kind of courtesy': action at a bluegrass festival jam session, Michelle Kisliuk; Composition, authorship, and ownership in flamenco, past and present, Peter Manuel; 'Funky drummer': New Orleans, James Brown and the rhythmic transformation of American popular music, Alexander Stewart; Afro-American gospel music: a crystallization of the Black aesthetic, Pearl Williams-Jones; The significance of the relationship between Afro-American music and West African music, Olly Wilson.; Part III Offshoots: Metaphors of power, metaphors of truth: the politics of music professionalism in Bulgarian folk orchestras, Donna A. Buchanan; Native American contemporary music: the women, Beverley Diamond; The jukebox of history: narratives of loss and desire in the discourse of country music, Aaron Fox; Searching for rockordion: the changing image of the accordion in America, Marion S. Jacobson; From ranchero to jaiton: ethnicity and class in Texas-Mexican music (two styles in the form of a pair), Manuel Pena; Encounter with 'the others from within': the case of gypsy musicians in former Yugoslavia, Svanibor Pettan; The whole and the sum of the parts, or, how Cookie and the Cupcakes told the story of Apache history in San Carlos, David Samuels; Name index.