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Produktbild: Nathan Lyons

Nathan Lyons Selected Essays, Lectures, and Interviews

Aus der Reihe Harry Ransom Center Photograph

Fr. 62.90

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.06.2012

Herausgeber

Jessica S. McDonald

Verlag

University of Texas Press

Seitenzahl

301

Maße (L/B/H)

26.2/18.8/3 cm

Gewicht

1247 g

Sprache

Englisch

ISBN

978-0-292-73771-6

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.06.2012

Herausgeber

Jessica S. McDonald

Verlag

University of Texas Press

Seitenzahl

301

Maße (L/B/H)

26.2/18.8/3 cm

Gewicht

1247 g

Sprache

Englisch

ISBN

978-0-292-73771-6

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  • Produktbild: Nathan Lyons

    • Foreword by David Coleman
    • Acknowledgments
    • Introduction: Persistence of Vision
    • Part I: Artist
      • Nathan Lyons
        “Comment” in Under the Sun: The Abstract Art of Camera Vision, 1960
      • Nathan Lyons
        Statement in Notations in Passing, 1970: Photographs by Nathan Lyons from the Collection of the National Gallery of Canada, Ottawa, 1971
      • James Borcoman
        Introduction to Notations in Passing, 1970: Photographs by Nathan Lyons from the Collection of the National Gallery of Canada, Ottawa, 1971
      • Penny Cousineau
        From a review of Notations in Passing: Visualized by Nathan Lyons, 1976
      • Thomas Dugan
        From “Nathan Lyons”, 1979
      • Bob Rogers
        From “Messages in a Bottle”, 1986
      • Adam D. Weinberg
        Preface to Riding 1st Class on the Titanic! Photographs by Nathan Lyons, 1999
      • Vicki Goldberg
        “Subtle Juxtapositions from a Diffident Force for Change”, 2000
      • Keith A. Smith
        “Homage to Nathan”, 2003
      • Leroy F. Searle
        “Concerning the Power of the Preposition: The Photographs of Nathan Lyons”, 2004
      • Marvin Bell
        “The Book of the Dead Man (Sign Language)”, 2011
    • Part II: Curator, Critic, Theorist
      • Nathan Lyons
        “To the Spirit of a Time: In Consideration”, 1960
      • Nathan Lyons
        Foreword to Photography ’63: An International Exhibition, 1963
      • Nathan Lyons
        Foreword to Photography ’64: An Invitational Exhibition, 1964
      • Nathan Lyons
        Introduction to Aaron Siskind: Photographer, 1965
      • Nathan Lyons
        From an unpublished interview with Paul Strand, 1965
      • Nathan Lyons
        “Critic’s Choice: ‘Meaning Must Come from the Picture Itself’", 1965
      • Nathan Lyons
        From an unpublished conversation with Garry Winogrand and Simpson Kalisher, 1966
      • Nathan Lyons
        Introduction to Photographers on Photography: A Critical Anthology, 1966
      • Nathan Lyons
        Introduction to Toward a Social Landscape, 1966
      • Nathan Lyons
        “Photography and the Picture Experience”, 1967
      • Nathan Lyons
        Introduction to Photography in the Twentieth Century, 1967
      • Nathan Lyons
        Introduction to The Persistence of Vision, 1967
      • William D. Tammeus
        “Focused on Protest”, 1968
      • Nathan Lyons
        Introduction to Vision and Expression, 1969
      • Nathan Lyons
        "Collecting Photographs as Picture Resources for Research", 1975
      • Nathan Lyons
        “Sequential Considerations”, 1975
      • Nathan Lyons
        “Les Krims”, 1976
      • Nathan Lyons
        “The Photographic Sequence”, 1980
      • Candida Finkel
        From “Photography as Modern Art: The Influence of Nathan Lyons and John Szarkowski on the Public’s Acceptance of Photography as Fine Art”, 1981
      • Robert Hirsch
        From “Nathan Lyons on the Snapshot”, 1992
      • Joel Eisinger
        From Trace and Transformation: American Criticism of Photography in the Modernist Period, 1995
      • Anne Wilkes Tucker
        From “Lyons, Szarkowski, and the Perception of Photography”, 2007
    • Part III: Educator
      • Nathan Lyons
        From “The Workshop Idea in Photography”, 1961
      • Nathan Lyons
        “A Joint Program in Photographic Studies / State University of New York at Buffalo & George Eastman House”, 1968
      • Barbara Confino
        From “‘Photography Is Not an Art: It Is a Model of Perception‘”, 1973
      • Nathan Lyons
        “Triangulating Misology: ‘. . . To Mistake the Trappings of Intellectual Authority for Its Substance’”, 1979
      • Joan Fontcuberta
        From “Interview with Nathan Lyons”, 1990
      • Maria Antonella Pelizzari
        From “Nathan Lyons: An Interview”, 1997
      • Anne Wilkes Tucker, Willis Hartshorn, Mark Klett, and James Borcoman
        From “Testimonials from Students of the Visual Studies Workshop”, 1999
    • Nathan Lyons: Chronology
    • Selected Bibliography
    • Index