Produktbild: A Companion to Martin Scorsese

A Companion to Martin Scorsese

Fr. 279.00

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

03.11.2014

Herausgeber

Aaron Baker

Verlag

John Wiley & Sons

Seitenzahl

496

Maße (L/B/H)

24.7/17.4/2.7 cm

Gewicht

1010 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-1-4443-3861-4

Beschreibung

Rezension

"This valuable book brings the exceptional scale of Martin Scorsese's film work into clear view. His achievements are monumental, and the essays collected in this work provide wonderfully detailed and vivid analyses of his oeuvre. A comprehensive study of the most exciting filmmaker working today."
 
Robert Burgoyne, University of St Andrews

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

03.11.2014

Herausgeber

Aaron Baker

Verlag

John Wiley & Sons

Seitenzahl

496

Maße (L/B/H)

24.7/17.4/2.7 cm

Gewicht

1010 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-1-4443-3861-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: A Companion to Martin Scorsese
  • Contributors viii
     
    Introduction: Artistic Solutions to Sociological Problems 1
    Aaron Baker
     
    Part One The Pious Auteur 15
     
    1 How Scorsese Became Scorsese: A Historiography of New Hollywood's Most Prestigious Auteur 17
    Marc Raymond
     
    2 Smuggling Iconoclasm: European Cinema and Scorsese's Male Antiheroes 38
    Giorgio Bertellini and Jacqueline Reich
     
    3 Italian Films, New York City Television, and the Work of Martin Scorsese 53
    Laura E. Ruberto
     
    4 The Imaginary Museum: Martin Scorsese's Film History Documentaries 71
    Robert P. Kolker
     
    5 Images of Religion, Ritual, and the Sacred in Martin Scorsese's Cinema 91
    David Sterritt
     
    Part Two Social Contexts and Conflicts 115
     
    6 Alice Doesn't Live Here Anymore and Italianamerican: Gender, Ethnicity, and Imagination 117
    Aaron Baker
     
    7 Mobsters and Bluebloods: Scorsese's The Age of Innocence in the Perspective of his Italian American Films 133
    Robert Casillo
     
    8 Off -White Masculinity in Martin Scorsese's Gangster Films 173
    Larissa M. Ennis
     
    9 Irish-American Identity in the Films of Martin Scorsese 195
    Matt R. Lohr
     
    10 Issues of Race, Ethnicity, and Television Authorship in Martin Scorsese Presents The Blues and Boardwalk Empire 214
    Jonathan J. Cavallero
     
    Part Three Form and the Filmmaking Process 237
     
    11 Martin Scorsese and the Music Documentary 239
    Michael Brendan Baker
     
    12 Martin Scorsese Rocks 259
    Giuliana Muscio
     
    13 Music as Cultural Signifier of Italian/American Life in Who's That Knocking at My Door and Mean Streets 277
    Anthony D. Cavaluzzi
     
    14 When Marty Met Bobby: Collaborative Authorship in Mean Streets and Taxi Driver 292
    R. Colin Tait
     
    15 Scorsese's Landscape of Mortality 312
    Murray Pomerance
     
    16 Borderlines: Boundaries and Transgression in the City Films of Martin Scorsese 331
    Brendan Kredell
     
    Part Four Major Films 353
     
    17 Mean Streets as Cinema of Independence 355
    Stefan Sereda
     
    18 Taxi Driver and Veteran Trauma 373
    Michael D. High
     
    19 Filming the Fights: Subjectivity and Sensation in Raging Bull 396
    Leger Grindon
     
    20 The Last Temptation of Christ: Queering the Divine 420
    Daniel S. Cutrara
     
    21 The Cinematic Seduction of Not a "Good Fella" 442
    Bambi Haggins
     
    22 Hugo and the (Re-)Invention of Martin Scorsese 459
    Guerric DeBona
     
    Index 480