Introduction, Susan Schreibman
Part I: MacGreevy as a Poet
1. Thomas MacGreevy's War Poems: Nocturnes, Gerald Dawe
2. MacGreevy's poetry in relation to perception in literary and visual arts: "it is the act and not the object of perception that matters", Mark Leahy
3. MacGreevy, Modernist Pathos, and the Poetics of Allusion: 'Quadrupedante, etcetera, Alex Davis
Part II: MacGreevy as a Critic
4. Thomas MacGreevy, Art Critic and Art Historia: 'It is only by learning to fully understand the past that we can most easily come to realise the significance of the present', Riann Coulter
5. The Critical Voice of Thomas MacGreevy, A Matrix of Correspondences: Benjamin Keatinge
6. The Augustinian Imagination of Thomas MacGreevy, James Mathew Wilson
7. A director of his time: Thomas MacGreevy: Marie Burke
8. Thomas MacGreevy and the Geography of Criticism, Nicholas Allen
Part III: Cities of MacGreevy
9. Thomas MacGreevy and His North Kerry Roots John Coolihan
10. Dublin, Andrew Goodspeed
11. London Revisited, 1925-27: In tinted glasses, Frank Hutton-Williams
12. Paris: The Emergence of an Urban Poetic Sandra O'Connell
Part IV: MacGreevy & Friends
13. Beckett, MacGreevy and the Catholic Nation: 'too absolute and Ireland haunte'", Sean Kennedy
14. MacGreevy and Jack B Yeats, Karen Elizabeth Brown
15. Friendship with George and W.B. Yeats, Ann Saddlemyer
16. MacGreevy and Joyce,Terence Killeen
17. Thomas MacGreevy, American modernists, and the 'gift' of Irishness: So kind you are, to bring me this gift, Tara Stubbs
18. MacGreevy Remembered
Coda: The Thomas MacGreevy Archive, Susan Schreibman
Index