Produktbild: Vertov, Snow, Farocki

Vertov, Snow, Farocki Machine Vision and the Posthuman

Fr. 77.90

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.02.2015

Verlag

Bloomsbury Academic

Seitenzahl

304

Maße (L/B/H)

22.9/15.2/1.6 cm

Gewicht

441 g

Sprache

Englisch

ISBN

978-1-5013-0729-4

Beschreibung

Rezension

Tomas' ideas are fascinating . . . [and his book] presents these ideas in a measured way, precisely and deliberately considering his key examples. The volume is a must for anyone interested in technology or cinema, or for the greater implications of a society who carries in their pocket the capacity to record and represent the world around them. Daniel Binns, University of West Sydney, Australia Cinema Journal 20141001

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.02.2015

Verlag

Bloomsbury Academic

Seitenzahl

304

Maße (L/B/H)

22.9/15.2/1.6 cm

Gewicht

441 g

Sprache

Englisch

ISBN

978-1-5013-0729-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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Die Leseprobe wird geladen.
  • Produktbild: Vertov, Snow, Farocki
  • Introduction

    Part I: Threshold: When a Ritual Process Speaks of Machine Vision and Cyborg Prototypes: A Film Document, Circa 1929

    Chapter 1. Manufacturing Vision and the Posthuman Circa 1929: Kino-eye, The Man with a Movie Camera, and the Perceptual Reconstruction of Social Identity

    Part II: Enigma of the Central Region: A Microhistory of Machine Vision and Posthuman Consciousness, Circa 1969-1972

    Chapter 2. La Région Centrale: Basic Cultural, Technical and Formal Filiations

    Chapter 3. Toward a Cosmic Rite of Passage: External & Internal Locations and a Play of Authorship

    Chapter 4. La Région Centrale: Liminality, Knowledge Production, Pedagogy

    Chapter 5. La Région Centrale: From Cosmic to Posthuman Rite of Passage

    Chapter 6. De La (1969-71): Authorship, Automation and the Posthuman

    Chapter 7. A Comparative Schematic Analysis of the Automated Narrative and its Mechanical Logic in Vertov's The Man with a Movie Camera (1929) and Michael Snow's De La (1969-1972)

    Part III: The Public Deployment of Machine Vision and the Programmed Materialization of the Posthuman in Collective Social Space, Two Early Twenty-First Century Video Documents

    Chapter 8. A Posthuman Future in the Age of the Algorithm: Farock's Documentation of the Operational Image and its Culture of Surveillance

    Bibliography

    Index