Produktbild: Listening to War

Listening to War Sound, Music, Trauma, and Survival in Wartime Iraq

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

29.09.2015

Verlag

Oxford Academic

Seitenzahl

358

Maße (L/B/H)

24/16.1/2.4 cm

Gewicht

680 g

Sprache

Englisch

ISBN

978-0-19-936149-6

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

29.09.2015

Verlag

Oxford Academic

Seitenzahl

358

Maße (L/B/H)

24/16.1/2.4 cm

Gewicht

680 g

Sprache

Englisch

ISBN

978-0-19-936149-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Listening to War
    • Dedication

    • Note on Transliteration

    • Introduction: Composing Thoughts on Sound and Violence

    • -In Lieu of an Epigraph: Sound-centered Memories of Operation Iraqi Freedom

    • -The Belliphonic

    • -Intellectual Predecessors

    • -A Necessary Detour

    • -Approaches and Challenges

    • Fragment #1: The Presence of Mind to Save an Ear: Ali's Story

    • Section I: Sonic MatÃ(c)riel

    • Chapter 1: Belliphonic Sounds and Indoctrinated Ears: The Elements of Wartime Audition

    • -Charting the Belliphonic

    • -Listening, Structure, and Positionality

    • -Vehicular Sounds

    • -Communications

    • -Civilian Sounds

    • -Weapons

    • Chapter 2: Mapping Zones of Wartime (In)audition

    • -The Zone of the Audible Inaudible

    • -The Narrational Zone

    • -The Tactical Zone

    • -The Trauma Zone

    • -A Complicating Factor: Iraqi Civilian Auditors

    • -Another Complicating Factor: Sound and Psychological Trauma

    • -Conclusion

    • Fragment #2: Stealth and Improvisation in the Desert: Jason's Story

    • Fragment #3: Loudly Searching in the Resonant Darkness: The Anatomy of a Nighttime House Raid

    • Section II: Structures of Listening, Sounding, and Emplacement

    • Introduction to section II

    • Chapter 3: Auditory Regimes

    • -Ideals of Military Audition

    • -National Audition

    • -Oblique Indoctrination of Belliphonic Ears

    • -Situational Awareness

    • -The Inclusive Auditory Regime of Iraqi Civilians

    • -Auditory Literacy, Competence, Virtuosity

    • -Incommensurability

    • Chapter 4: Sonic Campaigns

    • -Sound (and Violence)

    • -Violence (and Sound)

    • -The Omnidirectionality of Sound and Violence

    • -Sonic Campaigns

    • Chapter 5: Acoustic Territories

    • -Emplacement, Displacement, Transplacement

    • -Sound and Territoriality

    • -The Virtual Acoustic Territory of Recorded Sound

    • -The Radiant Acoustic Territories of Wartime

    • -The Resonant Acoustic Territories of Baghdad

    • -The Resonant Acoustic Territory of the body

    • -Life at the Intersection of Regime, Campaign and Territory

    • Fragment #4: Fatal Mishearing

    • Section III: Music, Mediation, and Survival

    • Chapter 6: Mobile Music in the Military

    • -Introducing the Wartime iPod

    • -A Century of Recorded Music on the Battlefield

    • -iPods in the Iraq War

    • -Amping Up, Staying Focused, Cooling Down: Technologies of Self-regulation in Combat

    • -Moving Bodies, Loosening Tongues, Adjusting Crosshairs: Technologies for Manipulating Others in Combat

    • -Concluding Thoughts

    • Fragment #5: From "Hell's Bells " to "Silent Night ": A Conversation about Music in the Military

    • Fragment #6: Keeping the Music Turned Down Low: Shymaa's Story

    • Chapter 7: A Time of Troubles for Iraqi Music

    • -Iraq's Musical Legacy

    • -Post-invasion Challenges

    • -Political Violence

    • -Sectarian Violence

    • -U.S. Forces Targeting Music

    • -The Attenuated Acoustic Territory of Iraqi Musical Practice

    • Conclusion: The Amplitude of Violence

    • Fragment #7: Listening as Poiesis: Tareq's Story

    • Acknowledgments

    • Glossary

    • Works Cited

    • Index