• Produktbild: Improvisation and Social Aesthetics
  • Produktbild: Improvisation and Social Aesthetics

Improvisation and Social Aesthetics

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

12.04.2017

Abbildungen

12 illustrations

Herausgeber

Georgina Born + weitere

Verlag

Duke University Press

Seitenzahl

360

Maße (L/B/H)

22.9/15.2/2 cm

Gewicht

499 g

Sprache

Englisch

ISBN

978-0-8223-6194-7

Beschreibung

Rezension

"An indispensable collection that cracks open a site for more rich and interdisciplinary work." - Dan DiPiero (boundary 2) "[Readers] will be more than rewarded by the insight it offers into the social aesthetics of improvisation, issues you will no longer be able to ignore as you listen to your next improv recording or attend your next improv concert." - Lawrence Joseph (Musicworks) "Through both their rigorous theoretical grounding and curation of such a brilliant array of cross-disciplinary contributions, Born, Lewis and Straw offer a thoroughly inspiring set of tools for the academy to begin theorizing where, how and for whom art's social mediations are occurring. I cannot recommend it highly enough." - Toby Young (Visual Studies)

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

12.04.2017

Abbildungen

12 illustrations

Herausgeber

Verlag

Duke University Press

Seitenzahl

360

Maße (L/B/H)

22.9/15.2/2 cm

Gewicht

499 g

Sprache

Englisch

ISBN

978-0-8223-6194-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Improvisation and Social Aesthetics
  • Produktbild: Improvisation and Social Aesthetics
  • Acknowledgments  vii
    Introduction. What is Social Aesthetics? / Georgina Born, Eric Lewis, and Will Straw  1
    Part I. The Social and the Aesthetic
    1. After Relational Aesthetics: Improvised Music, the Social, and (Re)Theorizing the Aesthetic / Georgina Born  33
    2. Scripting Social Interaction: Improvisation, Performance, and Western "Art" Music / Nicholas Cook  59
    3. From the American Civil Rights Movement to Mali: Reflections on Social Aesthetics and Improvisation / Ingrid Monson  78
    4. From Network Bands to Ubiquitous Computing: Rich Gold and the Social Aesthetics of Interactvity / George E. Lewis  91
    Part II. Genre and Defintion
    5. The Social Aesthetics of Swing in the 1940s: Or the Distribution of the Non-Sensible / David Brackett  113
    6. What Is "Great Black Music"? The Social Aesthetics of the AACM in Paris / Eric Lewis  135
    7. Kenneth Goldsmith and Uncreative Improvisation / Darren Wershler  160
    Part III. Sociality and Identity
    8. Strayhorn's Queer Arrangements / Lisa Barg  183
    9. What's Love Got to Do with It? Creating Art, Creating Community, Creating a Better World / Tracey Nicholls  213
    10. Improvisation in New Wave Cinema: Beneath the Myth, the Social / Marian Froger, translated by Will Straw  233
    Part IV. Performance
    11. Social Aesthetics and Transcultural Improvisation: Wayde Compton and the Performance of Black Time / Winfried Siemerling  255
    12. Devices of Existence: Contact Improvisation, Mobile Performances, and Dancing through Twitter / Susan Kozel  268
    13. The Dramaturgy of Spontaneity: Improvising the Social in Theater / Zoë Svendsen  288
    References  309
    Contributors' Biographies  335
    Index  339