List of Figures
List of Tables
Contributors
Preface
Part I: The Copying Animal: Exploring the Cultural Value of Copying
1. Copying and the Limits of Substitutability, Dieter Birnbacher
2. Deep Copy Culture, Mark Alfino
3. Imitation and Replication of Technologies: The Prospects for an Evolutionary Ethics of Copying, Wybo Houkes
Part II: What is a Copy? Conceptual Perspectives
4. What Is the Object in Which Copyright Can Subsist? An Ontological Analysis, Maria Elisabeth Reicher
5. What Is an Artifact Copy? A Quadrinomial Definition, Amrei Bahr
6. Are Counterfeits Copies?, Massimiliano Carrara
7. The Nature of Copying and the Singular Literary Work, Darren Hudson Hick
Part III: The Copying Artist: Aesthetic and Ethical Challenges
8. Illegitimate Legitimate Copies: A Grey Area in Dealing with Literary Works, Annette Gilbert
9. Appropriating Fictional Characters, James O. Young
10. Plagiarizing Nonfiction: Legal Cases, Aesthetic Questions, and the Rules of Copying, David Oels
11. Appropriation and Derogation: When Is It Wrong to Appropriate?, Lisa Jones
12. The Paradox of Style as a Concept of Art, Jan Bäcklund
13. Blurred Lines: A Case Study on the Ethics and Aesthetics of Copying, Eberhard Ortland
Part IV: Freedom for All? Towards an Ethics of Copying for the Digital Age
14. The Ethics of Copyright and droit d'auteur - An Outline, Thomas Dreier
15. Self-Copying and Copyright, Lionel Bently
16. Ethical Approaches for Copying Digital Artifacts: What Would the Exemplary Person [junzi] / a Good Person [phronemos] Say?, Charles Ess
17. Ethics, Evolved: An International Perspective on Copying in the Networked Age, Aram Sinnreich
18. Online Piracy and the Transformation of the Audiences' Practices: The Case of the Czech Republic, Jakub Macek and Pavel Zahrádka
19. Normative Resources and Domain-specific Principles: Heading for an Ethics of Copying, Reinold Schmücker
Coda
20. In Defence of Disco Edits, Hans Nieswandt
Index