Produktbild: New Nonfiction Film

New Nonfiction Film Art, Poetics, and Documentary Theory

Fr. 199.00

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

09.08.2018

Verlag

Bloomsbury Academic

Seitenzahl

224

Maße (L/B/H)

23.6/15.6/2 cm

Gewicht

472 g

Sprache

Englisch

ISBN

978-1-5013-2249-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

09.08.2018

Verlag

Bloomsbury Academic

Seitenzahl

224

Maße (L/B/H)

23.6/15.6/2 cm

Gewicht

472 g

Sprache

Englisch

ISBN

978-1-5013-2249-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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Die Leseprobe wird geladen.
  • Produktbild: New Nonfiction Film
  • Introduction
    New Nonfiction Film
    A Certain Ratio (of Negation)
    Acts of Experimentation . . .
    Nonfiction as a Speculative Mode of Inquiry: Subjectivity and the Films of Ben Rivers and Ben Russell
    Not Documentary . . .
    The Mechanistic "In Itself" / the Speculative Treatment of Subjectivity

    1.A Film About a Film Within a Film Adapted from a Short Story . . .
    A Marriage of Form and Content
    "I Don't Care about the Other. I am the Other."
    2. (Self as) Modèle Environments: Nonfiction Film
    Into the Abyss
    "What"- "Who"
    3. The Utopian Promise: John Akomfrah's Poetics of the Archive
    The Time of Nonfiction
    A Poet (in and) of the Archive
    Back to a Future
    The Time for Promises
    Conclusion
    4. "In My Mind, My Dreams are Real": Abbas Kiarostami and the Roots of New Nonfiction Film
    Before the Law
    The Becoming Reality of Fiction
    Kiarostami Meets Errol Morris/ Makhmalbaf Meets Sabzian
    Now, it's Nothing but Flowers
    Real Traumas/ Traumas of the Real: The Koker Trilogy
    The Marriage of Fiction and Non-Fiction
    5. After Kiarostami: Cinemas of (Speculative) Nonfiction
    Cinema of Trauma
    Trauma and Speculative Nonfiction
    In Search of the In-Itself
    A Documentary Fallacy
    The Earth Won't Listen
    6. Nonfiction, the Cognitive Turn, and Chantal Akerman's D'Est (1993)
    Bordering on Fiction
    The Displaced m(Other)
    Metal Repairs
    7. The Poetic Mode, Depiction and Nonfiction: Sense- Value and Gideon Koppel's Sleep Furiously(2007)
    To Document . . . (or) . . . to Depict
    To Speak or Not to Speak: The Double Entendre
    The Art of the Document

    Conclusion
    Cinema Will Save Us
    The Three S's
    A Final Note