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  • Produktbild: The Palgrave Handbook of Shakespeare's Queens
  • Produktbild: The Palgrave Handbook of Shakespeare's Queens

The Palgrave Handbook of Shakespeare's Queens

Aus der Reihe Queenship and Power

Fr. 360.00

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.02.2019

Herausgeber

Kavita Mudan Finn + weitere

Verlag

Springer

Seitenzahl

530

Maße (L/B/H)

23.5/15.5/3 cm

Gewicht

836 g

Auflage

Softcover reprint of the original 1st ed. 2018

Sprache

Englisch

ISBN

978-3-030-09011-1

Beschreibung

Rezension

“Kavita Mudan Finn and Valerie Schutte’s edited collection on Shakespeare’s queens is a welcome addition to the small, but growing, pool of work that focuses on the female in Shakespeare. … The Palgrave Handbook of Shakespeare’s Queens provides students and scholars alike with a thorough overview of the themes, contexts, and influences of Shakespeare’s often underestimated and overlooked queens.” (Elizabeth Hoyt, Sixteenth Century Journal, Vol. 51 (4), 2020)

Portrait

Kavita Mudan Finn has taught medieval and early modern literature at Georgetown, University of Maryland, George Washington University, and Simmons College, USA. She is the author of The Last Plantagenet Consorts (Palgrave 2012).

Valerie Schutte is the author of Mary I and the Art of Book Dedications: Royal Women, Power, and Persuasion (Palgrave 2015) and has edited several collections on early modern kings and queens. 

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.02.2019

Herausgeber

Verlag

Springer

Seitenzahl

530

Maße (L/B/H)

23.5/15.5/3 cm

Gewicht

836 g

Auflage

Softcover reprint of the original 1st ed. 2018

Sprache

Englisch

ISBN

978-3-030-09011-1

Herstelleradresse

Springer Nature c/o IBS
Benzstrasse 21
48619 Heek
DE

Email: Tanja.Keller@springer.com

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  • Produktbild: The Palgrave Handbook of Shakespeare's Queens
  • Produktbild: The Palgrave Handbook of Shakespeare's Queens
  • 1. Introduction

    I. General Studies

    2. Stagecraft and Statecraft: Queenship and Theatricality on the Shakespearean Stage

    3. Shakespeare's Queens and Collective Forces: Facing Aristocracy, Dealing with Crowds.- II. Queenship & Sovereignty

    4. "I trust I may not trust thee": Queens and Royal Women's Visions of the World in King John

    5. Cordelia, Foreign Queenship, and the Commonweal

    6. "Tremble at patience": Constant Queens and Female Solidarity in The Two Noble Kinsmen and The Winter's Tale.- III. Queenship & Motherhood

    7. "...to beare the name of a queene": Eleanor, Duchess of Gloucester, and Lady Macbeth: Queens and Motherhood

    8. Womb Rhetoric: The Martial Maternity of Volumnia, Tamora, and Elizabeth I

    9. "Good queen, my lord, good queen": Royal Mothers in Shakespeare's Plays

    IV. Queenship & Rhetoric

    10. Margaret of Anjou and the Rhetoric of Sovereign Violence

    11. "I can no longer hold me patient!": Margaret, Anger, and Political Voice in Richard III

    12. Shakespeare's Cleopatra as Metatheatrical Monarch

    V. Absent/Missing Queens

    13. "Nothing Hath Begot My Something Grief": Invisible Queenship in Shakespeare's Second Tetralogy

    14. The Queen's Two Bodies in The Winter's Tale

    15. The Political Aesthetics of Anne Boleyn's Queenship in Henry VIII, or All is True

    16. The Fortification and Containment of Queen Elizabeth I's Rhetoric and Performance in Shakespeare and Fletcher's Henry VIII

    VI. Staging Queens & Contemporary Politics

    17. The Princess' Political Mission in Love Labour's Lost: The Embassy to get Aquitaine and "all that is" Navarre's

    18. Katherine of Aragon, Protestant Purity, and the Anxieties of Cultural Mixing in Shakespeare and Fletcher’s King Henry VIII

    19. “The Ambition in my Love”: The Theatre of Courtly Conduct in All’s Well That Ends Well

    VII. Queenship & Intertextuality

    20. As Wise as She is Beautiful: Reconciling Shakespeare’s Fairy Queen and Spenser’s Faerie Queene

    21.  The Princess of France: Difference and Dif(fé)rance in Love’s Labour’s Lost

    22. “A gap in nature”: Re-writing Cleopatra Through Antony and Cleopatra’s Cosmology

    23. En un infierno los dos: Catherine of Aragon and Anne Boleyn in Shakespeare & Fletcher’s Henry VIII and Calderón’s La cisma de Inglaterra

    VIII. Performing Queenship

    24. Margaret of Anjou: Shakespeare's Adapted Heroine

    25. The Bard, the Bride, and the Muse Bemused: Katherine de Valois on Film in Shakespeare’s Henry V

    26. The “squeaking Cleopatra boy”: Performance of the Queen’s Two Bodies on the Early Modern Stage