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Produktbild: The Baroque Violin & Viola, vol. II

The Baroque Violin & Viola, vol. II A Fifty-Lesson Course

Fr. 213.00

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

19.02.2020

Abbildungen

191 music ex., 14 illustrations, 26 figures

Verlag

Oxford Academic

Seitenzahl

362

Maße (L/B/H)

28.6/22.1/2.4 cm

Gewicht

1052 g

Sprache

Englisch

ISBN

978-0-19-752511-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

19.02.2020

Abbildungen

191 music ex., 14 illustrations, 26 figures

Verlag

Oxford Academic

Seitenzahl

362

Maße (L/B/H)

28.6/22.1/2.4 cm

Gewicht

1052 g

Sprache

Englisch

ISBN

978-0-19-752511-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Baroque Violin & Viola, vol. II

    • Foreword

    • Introductory quotes

    • Questions and Answers

    • Part Three

    • Approaching the Early Seventeenth Century Italian Sonata

    • Lesson Twenty-Four. Stepping Back in Time: Division Manuals 1535-1624. Ornamentation, Module Two

    • Divisions - Learning to Dare: Developing Basic Improvisational Skills - Sylvestro Ganassi's 'Fontegara' (Venice, 1535) - Studying Divisions from Ganassi's 'Fontegara' - Learning to Read Sixteenth and Seventeenth-century Music from Facsimiles - Note Values - Giovanni Bassano: 'Ricercate, passaggi et cadentie,' (Venice 1585) - Cadences - Aurelio Virgiliano: 'Regole Della Diminutione' (c 1600) - G. B. Spadi: 'Libro de passaggi ascendenti e descendenti' (Venice, 1624).

    • A Florentine Interlude. Towards 'The New Music:' from Plato to Caccini

    • Lesson Twenty-Five. The Noble Manner of Singing: Caccini's 'Le Nuove Musiche' (1602)

    • Passaggi - Three ways to Sing a Note - The Intonatio - Con Grazia - The Esclamazione - Transferring Caccini's 'Cor mio, deh! non languire' to the Violin - The Trillo and the Gruppo - Transferring the Vocal Trillo to the Violin - The Gruppo - Transferring the Vocal Gruppo to the Violin - Rhythmic Alteration - Transferring the Vocal Cascata to the Violin - Sprezzatura - Transferring Caccini's 'Deh, dove son fuggiti' to the Violin.

    • Lesson Twenty-Six. A Lesson from Francesco Rognoni Taeggio: Applying Vocal Technique to the Violin

    • El Portar della Voce - The Accento - The Tremolo - The Groppo - Del principiar sotto la nota - The Esclamatione - La Selva, Part Two - Francesco Rognoni's 'Way of slurring' -

    • Lesson Twenty-Seven. Giovanni Battista Fontana (1589 (?) - 1630) Sonata Terza

    • The Tactus - Reading this Sonata in the Original Notation Clefs - Rests - Coloration - Tempo Relationships and Proportional Notation.

    • Lesson Twenty-Eight. Dario Castello: Sonata Prima, for Soprano Solo

    • Lesson Twenty-Nine. Giovanni Antonio Pandolfi Mealli: Sonata Quarta Opus 4, La Biancuccia

    • 'Stylus Phantasticus' - Musica Ficta.

    • Lesson Thirty: Ornamentation, Module Three, including Tables of Ornaments Derived from the Sonatas of Corelli and Babell

    • A Roman Interlude: Transforming Visual Gestures into Sound

    • Part Four

    • Church Militant: The Sonatas of Schmelzer and Biber

    • Lesson Thirty-One. Johann Heinrich Schmelzer: Sonata Quarta from 'Sonatae unarum fidium' (1664)

    • Lesson Thirty-Two. Heinrich Ignaz Franz von Biber: the Mystery Sonatas. Sonata No 1: the Annunciation

    • The Mystery Sonatas: an Introduction - Reference to the Texts.

    • Lesson Thirty-Three. Heinrich Ignaz Franz von Biber: the Mystery Sonatas. Sonata No 10: The Crucifixion

    • Scordatura - Symbolism and the Jesuits - The Rhetorical Fragments Described.

    • Part Five

    • Supreme Refinement of the Human Spirit

    • Franà ois Couperin and the Music of France

    • Interlude in Versailles: Approaching the Music of the French Baroque

    • The Sun King and the Culture of Versailles - The Social Status of the Violin in France.

    • Lesson Thirty-Four. The 'Concerts Royaux' of Franà ois Couperin. Ornamentation, Module Four

    • The 'Concerts Royaux,' an Introduction - Couperin's AgrÃ(c)mens, as found in the SeptiÃ(c)me Concert Royal - The Tremblement - The PincÃ(c) - The Port de voix - The Tierce de coulÃ(c) - The comma (petit silence) - Notes inÃ(c)gales - Slurs - Pitch - Addendum: The DoublÃ(c) - The Aspiration - The Suspension.

    • Lesson Thirty-Five. To Soothe the Sorrows of a King. Franà ois Couperin: SeptiÃ(c)me Concert Royal (I)

    • Movement One (no title) - Allemande, Gayement - Postscript: Dynamic and Rhythmical inÃ(c)galitÃ(c), a Personal View.

    • Lesson Thirty-Six. Franà ois Couperin: SeptiÃ(c)me Concert Royal (II)

    • Sarabande Grave - Georg Muffat on Lully's Bowings.

    • Lesson Thirty-Seven. Franà ois Couperin: SeptiÃ(c)me Concert Royal (III)

    • FuguÃ(c)te - Gavote - SiciliÃ(c)ne.

    • Part Six

    • Approaching the Galant

    • Lesson Thirty-Eight. Beyond 'Beautiful': Searching for Meaning in Music. Handel: Sonata in A Major

    • Beautiful Sights and Beautiful Sounds - Handel and Mattheson - Der Vollkommene Capellmeister - Identifying Affects in the Handel Sonata Movement - Punctuation.

    • Lesson Thirty-Nine. Into the Galant: Tartini, Telemann, Quantz and Zuccari. Ornamentation Module Five

    • Tartini: Grace notes - Trills - Vibrato (Tremolo) - The Turn - The Mordent - Cadences. Telemann's Methodical Sonatas. Telemann's Ornaments: Rising and falling appoggiaturas - Trills - Passing notes - Harmonising ornaments - Turns - Rhythmic variation - Ornamented Cadences - Tiratas. Quantz - A Lesson from the Master: Quantz's Notated Adagio - Zuccari.

    • Part Seven

    • J.S. Bach

    • Lesson Forty. A Brief History of Baroque Romanticism: Bach's 'Sei Solo'

    • Lesson Forty-One. Johann Sebastian Bach, Sonata I, BWV 1001. Adagio

    • Bach's Written-out Ornamentation - The Necessity of Illusion - A Controversial Note - Afterthought.

    • Lesson Forty-Two. Johann Sebastian Bach, Sonata I, BWV 1001. Fuga

    • A Note on Resonance

    • Lesson Forty-Three. Johann Sebastian Bach, Sonata I, BWV 1001. Siciliana

    • Hooked Bowings

    • Lesson Forty-Four. Johann Sebastian Bach, Sonata I, BWV 1001. Presto

    • Bach and Rhetoric - On Slow practice.

    • Lesson Forty-Five. Intonation in Bach's 'Sei Solo.'

    • The Training of the Ear - Intonation Analysis - Learning to hear quickly - The Training of the Left Hand - Playing Chords: the Left Hand

    • Lesson Forty-Six. Johann Sebastian Bach, Partita III in E Major, BWV 1006. Preludio

    • Interlude: Bach and the Influence of French Culture in the German Lands

    • Bach and Dance

    • Lesson Forty-Seven. Johann Sebastian Bach: Partita III in E Major, BWV 1006

    • Loure

    • Tempo and Bowings in Bach's Loure - Punctuation and Articulation in Dance Movements - Punctuation and Articulation in Bach's Loure - Ornamentation in Bach's Dances.

    • Lesson Forty-Eight. Johann Sebastian Bach. Partita III in E Major, BWV 1006. Gavotte en Rondeaux

    • Lesson Forty-Nine. Johann Sebastian Bach. Partita III in E Major, BWV 1006. Minuets I and II

    • Lesson Fifty. Johann Sebastian. Bach. Partita III in E Major, BWV 1006. BourÃ(c)e and Giga

    • Notes to Lessons

    • Bibliography

    • Index

    • Acknowledgements