The Connoisseur, An Illustrated Magazine For Collectors (Volume XVI)
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- Englisch ausgewählt
Fr. 52.90
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
15.12.2020
Verlag
Alpha EditionsSeitenzahl
308
Maße (L/B/H)
28/21.6/1.7 cm
Gewicht
780 g
Sprache
Englisch
ISBN
978-93-5430-683-9
A magazine that teaches how to look. Collecting was an exacting art. Volume XVI of The Connoisseur is an antique art magazine and an illustrated collectors journal from the period when connoisseurship shaped museums and markets alike. Written for a readership that spanned dealers, scholars and private buyers, it pairs detailed plates with lucid commentary, making it both a vintage antiques periodical and an indispensable art history reference. Practical concerns - provenance, attribution, condition - sit beside essays that interrogate taste, so the magazine speaks to anyone building a decorative arts collection as readily as it serves as an instructional read for fine art appraisal. The tone favours clarity over jargon; images are chosen to instruct as much as to enchant, inviting collectors and enthusiasts to study objects more closely. As an Edwardian era publication it registers a historical moment: fashions, forgery debates and the connoisseurial methods that shaped early 20th century art collecting. Those researching provenance will find this historical art magazine a rich primary source; librarians and scholars consult its pages for contemporary definitions of taste and for the visual evidence embedded in plates and adverts. It functions as a connoisseur magazine archive and a practical museum professionals resource when attribution or comparative study is required. Out of print for decades and now republished by Alpha Editions. Restored for today's and future generations. More than a reprint - a collector's item and a cultural treasure. Readable prose and steady scholarship mean the volume appeals equally to casual readers and classic-literature collectors: the curious can browse the illustrations; the committed can follow the arguments and trace the shifting vocabulary of style. Its pages serve as ready reference for provenance research and comparative study, and remain a pleasure to peruse for anyone fascinated by the social life of objects today.
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