1. Contending with Untranslatable Categories; or, Inducing the Nervous Condition of the Geschlecht Complex (Oscar Jansson, Lund University, Sweden, and David LaRocca, Cornell University, USA)
Appendix I: Unfinished Definitions (Jansson/LaRocca)
Apter | Cassin | Cavell | Crépon
2. Antitheatricality as Critical Idiom (Caro Pirri, University of Pittsburgh, USA)
3. The Cruel Beast: Settler Sovereignty and the Crisis of American Zoopolitics (Brian W. Nail, Florida State College at Jacksonville, USA)
4. Between the Body and Language: Narratives of the Moving Subject in Okwui Okpokwasili's Bronx Gothic (Lauren DiGiulio, University of North Carolina at Chapel Hill, USA)
Appendix II: Indefiniteness, Geschlechtlosigkeit, Undoing (Jansson/LaRocca)
Butler | Cassin | Crépon | David-Ménard | Derrida |
Deutscher | Heller-Roazen | Irigaray | Malabou | Nancy |
Preciado | Sandford | Spillers | Weheliye
5. Collapsing the Gender/Genre Distinction: On Transgressions of Category in Woolf's Orlando (Oscar Jansson, Lund University, Sweden)
6. Gazing at the Untranslatable Subject: From Velázquez's Las Meninas to Ellison's Invisible Man (Richard Hajarizadeh, SUNY Binghamton, USA)
7. From Lectiocentrism to Gramophonology: Listening to Cinema and Writing Sound Criticism (David LaRocca, Cornell University, USA)
Appendix III: Genre Unlimited/Genre Ungenred (Jansson/LaRocca)
Apter | Barthes | Cavell | Chartier | Crimmins |
Croce | Derrida | Jauss | Wells
Afterword: Trans-Ontology and the Geschlecht Complex (Emily Apter, New York University, USA)
Bibliography
Acknowledgments
Contributors
Index