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Produktbild: Media Narratives in Popular Mu

Media Narratives in Popular Mu

Fr. 53.90

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

27.07.2023

Herausgeber

Anderton Chris + weitere

Verlag

Bloomsbury USA

Seitenzahl

256

Maße (L/B/H)

22.9/15.2/1.4 cm

Gewicht

345 g

Sprache

Englisch

ISBN

978-1-5013-8771-5

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

27.07.2023

Herausgeber

Verlag

Bloomsbury USA

Seitenzahl

256

Maße (L/B/H)

22.9/15.2/1.4 cm

Gewicht

345 g

Sprache

Englisch

ISBN

978-1-5013-8771-5

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  • Produktbild: Media Narratives in Popular Mu
  • List of Figures Notes on Contributors Introduction Chris Anderton and Martin James (Solent University, UK) SECTION 1 – Narratives of Identity 1. Hidden in Plain Sight: Stories of Gender, Generation and Political Economy on the Northern Soul Scene Tim Wall (Birmingham City University, UK) and Sarah Raine (Edinburgh Napier University, UK) 2. Paid My Dues: Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) 3. “They’re Not In It Like The Man Dem”: How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) 4. "Who Controls the Present Controls the Past. Who Controls the Past Controls the Future”: Washing Islam from the Media Narratives of Hip-Hop Martin James (Solent University, UK) SECTION 2 – Narratives of Genre 5. “Exiles in Madison Square Garden”: Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971–1976 Chris Anderton (Solent University, UK) 6. Alternative Before Alternative: The Pre-Punk History of a ‘90s Genre Theo Cateforis (Syracuse University, USA) 7. Never Mind the B…, Here’s Three Minutes of Prog: Rethinking Punk’s Impact on Progressive Rock in Britain During the Late 1970s Andy Bennett (Griffith University, Australia) 8. “There’s a Crack in the Union Jack.” Questioning National Identity in the 1990s: the Britpop Counter-narrative Johnny Hopkins (Solent University, UK) SECTION 3 – Narratives Constructed 9. Compromised Histories: The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Lauren Istvandity (University of the Sunshine Coast, Australia), Sarah Baker (Griffith University, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Independent Scholar, Ireland) 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) 12. Tales from the Turntables: “Narrating” and “Narrativizing” the “First Club DJ” Maren Hancock (York University, Canada) Acknowledgments Index