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Produktbild: The School of Montaigne in Early Modern Europe

The School of Montaigne in Early Modern Europe Volume One: The Patron Author

Fr. 59.90

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

08.12.2022

Verlag

Oxford University Press

Seitenzahl

464

Maße (L/B/H)

23.7/15.7/2.5 cm

Gewicht

702 g

Sprache

Englisch

ISBN

978-0-19-286714-8

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

08.12.2022

Verlag

Oxford University Press

Seitenzahl

464

Maße (L/B/H)

23.7/15.7/2.5 cm

Gewicht

702 g

Sprache

Englisch

ISBN

978-0-19-286714-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The School of Montaigne in Early Modern Europe

    • Introduction

    • 1.1 Prologue: Literature and agency in late medieval and early modern Europe

    • 1.1.1: The force of the imagination

    • 1.1.2: Montaigne's medallion as index

    • 1.1.3: Art, agency, and the offices of self-knowledge

    • 1.1.4: The qualities of a freeman

    • 1.1.5: Reading-and-writing

    • 1.1.6: Lady Anne Clifford

    • 1.1.7: The book in the post-Reformation age

    • 1.1.8: Acting and conversing through books

    • 1.1.9: Imagines ingeniorum

    • 1.1.10: Montaigne's imago

    • 1.1.11: Pierre Eyquem's Sebond

    • 1.1.12: Paratexts and the story of a book

    • 1.1.13: Medallion and book

    • 1.1.14: Van Ravesteyn's portrait of Pieter van Veen

    • 1.1.15: Settings and situations

    • 1.2 Villey and the making of the modern critical reader

    • 1.2.1: This great reader

    • 1.2.2: Villey's reception

    • 1.2.3: Rival transcriptions of Montaigne's evolution

    • 1.2.4: Strowski and Brunetiÿre

    • 1.2.5: The distinctive evolution of Villey's Montaigne

    • 1.2.6: Creating an oeuvre

    • 1.3 The patron's oeuvre

    • 1.3.1: Montaigne's self-portrait: Essais (1580) II 17 and II 18

    • 1.3.2: The Journal de voyage

    • 1.3.3: Urbino

    • 1.3.4: The Journal and the Essais

    • 1.3.5: Florence's patron

    • 1.3.6: The place of books in the patron's oeuvre

    • 1.3.7: Statues and books in Rome

    • 1.3.8: Two works by patron-authors

    • 1.3.9: Inauthentic patrons of books

    • 1.3.10: Coda: the patron's book

    • 1.4 Offices without names

    • 1.4.1: London 1603

    • 1.4.2: The desire for knowledge and the fall of man

    • 1.4.3: Apology

    • 1.4.4: Madame de Duras and the art of balneology

    • 1.4.5: Offices without names in the Journal de voyage

    • 1.5 The unpremeditated and accidental philosopher

    • 1.5.1: Vettori and Montaigne on Tacitus

    • 1.5.2: Extracting and applying literary curiosities

    • 1.5.3: From ancient extracts to new pieces of man

    • 1.5.4: Pierre de Lancre

    • 1.5.5: Examining witches

    • 1.5.6: On the lame (in Pierre Dheure's eyes)

    • 1.5.7: The Montaigne effect

    • 1.6 Caring for fortunes

    • 1.6.1: 'La franchise de ma conversation'

    • 1.6.2: Bienheureuse franchise

    • 1.6.3: The French Thales

    • 1.6.4: Gournay and Montaigneâs cold reception

    • 1.6.5: Lipsius

    • 1.6.6: Montaigne's missing letters

    • 1.6.7: Pierre de Brachâs letters: Montaigne as 'patron'

    • 1.6.8: Caring for fortunes

    • 1.6.9: The genesis of the Essais

    • 1.6.10: Amyot's Plutarch

    • 1.6.11: The III 12 anecdotes

    • 1.6.12: Essais I 23 (in 1580)

    • 1.6.13: La BoÃÂ(c)tie

    • 1.6.14: Pierre's Sebond and the liberty to judge

    • 1.7 Montaigne at Rome, 1580-81: The Essais and the Papal court

    • 1.7.1: Montaigne at Rome

    • 1.7.2: 'Le Seneque de Rome'

    • 1.7.3: Censoring the 1580 Essais

    • 1.7.4: Roman topics in the Essais and the Journal

    • 1.7.5: Rome's liberty

    • 1.7.6: Montaigne's Roman citizenship

    • 1.7.7: Essais III 9, 'De la vanitÃÂ(c)' (1588)

    • Conclusion

    • Bibliography