Seismic Shifts in Subject and Style 19th-Century French Painting and Philosophy
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Form:Einzelkauf Download
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Sprache:Englisch
Fr. 4.90
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Nein
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
17.08.2023
Verlag
Dianne L. DuranteSeitenzahl
126 (Printausgabe)
Auflage
1. Auflage
Sprache
Englisch
EAN
9781088240502
Why did subject and style in art change so dramatically over the course of the 19th century - from Madame Recamier, by Jacques-Louis David (1800) to Luxe, Calme et Volupte by Matisse (1904)? We'll look for an explanation through a combination of art analysis and philosophical detection.
Artistic trends are not the result of a collective consciousness working its will. Such trends are simply the styles that a majority of artists chooses to embrace. Each of those artists, in turn, makes his own choice of style. Over the 19th century, France was the epicenter of artistic change. We briefly survey the works of 18 French artists, including Neoclassicists, Romantics, Naturalists, Impressionists, Post-Impressionists, Pointillists, Symbolists, and Academics. Then we look at what these artists (as well as a few influential art critics) have to say about four crucial issues: the role of training; the role of reason vs. emotion in creating art; the importance of style vs. subject; and qualifications for judging art. Finally we see how these statements relate to the philosophical context of the time.
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