Produktbild: Mary Butts

Mary Butts Necessary Contradictions and Feminist Reconstructions

Fr. 159.00

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.05.2024

Herausgeber

Joel Hawkes

Verlag

Bloomsbury Academic

Seitenzahl

272

Maße (L/B/H)

22.9/15.2/1.6 cm

Gewicht

526 g

Sprache

Englisch

ISBN

978-1-5013-8071-6

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.05.2024

Herausgeber

Joel Hawkes

Verlag

Bloomsbury Academic

Seitenzahl

272

Maße (L/B/H)

22.9/15.2/1.6 cm

Gewicht

526 g

Sprache

Englisch

ISBN

978-1-5013-8071-6

Kundinnen und Kunden meinen

0 Bewertungen

Informationen zu Bewertungen

Zur Abgabe einer Bewertung ist eine Anmeldung im Konto notwendig. Die Authentizität der Bewertungen wird von uns nicht überprüft. Wir behalten uns vor, Bewertungstexte, die unseren Richtlinien widersprechen, entsprechend zu kürzen oder zu löschen.

Die Bewertungen sind nach Format, Anzahl Sterne und Datum sortiert.

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kund*innen durch Ihre Meinung

Kundinnen und Kunden meinen

0 Bewertungen filtern

Die Leseprobe wird geladen.
  • Produktbild: Mary Butts
  • List of Figures Opening Art 1. Response to Mary Butts, Inspired by Jean Cocteau (Lupe Núñez-Fernández) Opening Art 2. Response to Cover Art for Ashe of Rings, Inspired by Salterns (Lupe Núñez-Fernández) Foreword (Danny Israel, Mary Butts's grandson) Introduction Through a Series of Letters (Joel Hawkes, University of Victoria, Canada) Part I. Rhythms 1. (Knight's Move) Reimagined Letters, and the Making of an Artist's Book Edition of Mary Butts's Imaginary Letters (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK) - (Response) Reimagining Mary Butts's Queer Imaginary Letters as Artist Book (Jane Garrity, University of Colorado Boulder, USA) 2. (Classical) (Re)Constructions of Gender, Time, and Space, with the Medium as Guide (Jenna Marco, University of South Carolina, USA) - (Response) Mary Butts's Mediums and Models of Popular Female Authorship (Indu Ohri, Boston University, USA) 3. (Knight's Move) A Year at Salterns (Leigh Rocha, Current owner of Salterns and primary school teacher, UK) - (Response) A House Removed from History (Stanislava Dikova, University of Edinburgh, UK) Part II. Resistance 4. (Classical) Rights, Property, and Preservation in Mary Butts's Armed with Madness (Stanislava Dikova, University of Edinburgh, UK) - (Response) "Rights, Property, and Preservation in Mary Butts's Armed with Madness" (Sanna Melin Schyllert, Université de Nantes, France) 5. (Classical) I Like Mary Butts (and I Cannot Lie) (Stephen Ross, University of Victoria, Canada) - (Response) "I cannot lie" (Rosyln Reso Foy, Tulane University, USA) 6. (Knight's Move) Mary Butts, Her Work and Papers, and an Interview with Camilla Bagg (Rosyln Reso Foy, Tulane University, USA) - (Response) What It Means to Own a Text (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK) 7. (Classical) "He Is glad to think of me tied to the soil at last." Mary Butts and the Motherhood Problem (Sanna Melin Schyllert, Université de Nantes, France) - (Response) Mary Butts & the Motherhood Problem (Leigh Rocha, Current owner of Salterns and primary school teacher, UK) Part III. Recoveries 8. "Queer devils" and "beastly indulgences" in Mary Butts's Unborn Gods (Jane Garrity, University of Colorado Boulder, USA) - (Response) "Queer Devils" (Jenna Marco, University of South Carolina, USA) 9. (Knight's Move) Who's Afraid of Mary Butts? (Bruce McPherson, editor and publisher of McPherson & Company, USA) - (Response) (Re)discovering Mary Butts (Joel Hawkes, University of Victoria, Canada) 10. (Classical) Reconstructing Miltonic Elegies and Freudian Coincidences. Mary Butts's Queer Theory of Signatures in Her Cornish Stories (Indu Ohri, Boston University, USA) - (Response) "Signatures of all things visible which I am here to read" (Stephen Ross, University of Victoria, Canada) Afterword (Andrew Radford, University of Glasgow, UK) Closing Art. Response to Cover Art of Armed with Madness (Lupe Núñez-Fernández) Acknowledgments Notes on Contributors Index