Schmales Hardcover-Notizbuch: Claude Monet, Die japanische Brücke Unser hochwertiges, liniertes Blankbook mit festem, künstlerisch geprägtem Einband
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- Deutsch, Englisch ausgewählt
Fr. 14.90
inkl. gesetzl. MwSt.,
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Kostenlose Lieferung ab Fr. 30 Einkaufswert
Schweiz & Liechtenstein:
Versandkostenfrei ab Fr. 30.00
Versandkosten bis Fr. 30.00: Fr. 3.50Andere Lieferländer
Fr. 18.00 unabhängig vom Warenwert
Beschreibung
Produktdetails
Erscheinungsdatum
30.07.2025
Abbildungen
Illustrationen, nicht spezifiziert
Herausgeber
Flame Tree PublishingVerlag
Brown Trout-Auslieferer FlechsigSeitenzahl
128
Maße (L/B/H)
15.9/9.5/1.4 cm
Gewicht
113 g
Sprache
Deutsch, Englisch
ISBN
978-1-83562-529-3
A new title in the Flame Tree Slimline Journal collection, combining beautiful art with high-quality production, and featuring lined pages, a pocket at the back and two ribbon bookmarks. Perfect slipped into handbags, for personal use or as a dazzling gift.
A FLAME TREE NOTEBOOK. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.
BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3D masterpieces that feel good in the hand, and look wonderful on a desk or table.
PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper, printed with lines.
THE ARTIST. ‘All of a sudden,’ Monet would one day recall, ‘I had the revelation of the enchantment of my pond. I took up my palette…’ And the rest is art history. Again and again – well over 200 times, and often working on an enormous scale – Claude Monet would return to water lilies as his subject.
THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful.".
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