Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
13.11.2025
Verlag
Bloomsbury AcademicSeitenzahl
240
Maße (L/B/H)
24/16.1/1.8 cm
Gewicht
500 g
Sprache
Englisch
ISBN
978-1-350-49682-8
How have feelings, presumptions, and preconceptions concerning racialized Blackness intersected with film noir? Dan Flory relies on recent advances in philosophy of film, philosophy of emotion, cognitive film theory, and critical philosophy of race to guide his analyses of this well-known film genre. Making sense of techniques, themes, and characterizations filmmakers have used in order to structure movies into film noirs, Flory focuses on those viewer responses that are not consciously registered by higher-level forms of cognition. He argues that embodied, affective, and implicit reactions are key to understanding how film noir typically conveys ideas, feelings, and perspectives concerning race. Noir films by African American and other artists have frequently sought to elicit such embodied responses, rendering their investigation vital. In many cases, these artists have created works that aim, either explicitly or implicitly, to function as philosophy by generating serious thoughtful reflection. By using advances from these theoretical subfields in conjunction with developments in mainstream, African American, and other kinds of filmmaking, Flory elucidates many under-analyzed dimensions of noir films and their intersection with racialized Blackness. Aiming to both diagnose as well as seek ways to overcome sociopolitical problems concerning anti- Blackness, Black invisibility, and the epistemic injustices they generate, Flory argues that these films help to pave the way for revolutionary moral change.
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