Geschäftskunden Kundenprogramme
Vor Ort
Merkzettel Warenkorb
Produktbild: The Work of Karlheinz Stockhausen Volume 2
Vorbesteller Neu

The Work of Karlheinz Stockhausen Volume 2 Intuitive Music

Aus der Reihe Ashgate Studies in Theory and Analysis of Music After 1900

Fr. 252.00

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.07.2026

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss

Verlag

Taylor & Francis

Seitenzahl

240

Maße (L/B)

23.4/15.6 cm

Sprache

Englisch

ISBN

978-1-03-254713-8

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.07.2026

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss

Verlag

Taylor & Francis

Seitenzahl

240

Maße (L/B)

23.4/15.6 cm

Sprache

Englisch

ISBN

978-1-03-254713-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)
Die Leseprobe wird geladen.
  • Produktbild: The Work of Karlheinz Stockhausen Volume 2

    1. KONTAKTE (1958-60), 18.1. The Origins of the Piece, 18.2. KONTAKTE and Its Mysticism, 18.3. The Versions of KONTAKTE, 18.4. The Surprising Fusion Between the Instrumental and Electronic Universes, 18.5. Innovations in KONTAKTE, 18.6. About the Differences of Durations in the Score, 18.7. Regarding Spatiality, 18.8. The Use of Electronic Pulses, 18.9. Regarding Timbre Families, 18.10. The Iterative Copy Procedure (Dauerkopierverfahren), 18.11. Serial Music?, 18.12. The Invention of the Moment-Form, 18.13. The Types of Moment in KONTAKTE, 18.14. Motive Recurrences, 18.15. The Use of the Fibonacci Series, 18.16. The Unity of Musical Time,
    2. MOMENTE (1962-64/69), 19.1. The Typology of Moments and the Love, 19.2. Regarding Instrumentation, 19.3. Regarding the Texts Used, 19.4. The Open Form of MOMENTE, 19.5. The Binary Oppositions and Their Stratification, 19.6. Harmonic Center and Expansions in MOMENTE, 19.7. A Review of MOMENTE and Its Actuality,
    3. Extensions,
    4. MIKROPHONIE I (1964), 21.1. The Spectral Extent of the Physical Instrument, 21.2. The Organological Extent of the Physical Instrument, 21.3. The Internalization of Polyphony: Micro-Phony, 21.4. Serial Numerology in MIKROPHONIE I, 21.5. The Microphone as an Instrument, 21.6. Towards Words: Sound Categories and Quasi-Onomatopoeias, 21.7. The Moments and Form of MIKROPHONIE I, 21.8. Rite and Communion, 21.9. Approaching and Distancing in Relation to Musique Concrète,
    5. MIXTUR (1964), 22.1. The Strangeness with Boulez, 22.2. Ring Modulation and Its Complexity, 22.3. Regarding Instrumentation, 22.4. The Musical Form: Its Characters and Reversibility, 22.5. Regarding Serial Thought and the Organization of Pitches, 22.6. Tachism-Music?,
    6. TELEMUSIK (1966), 23.1. Collage of Materials or New Polyphony?, 23.2. The Form and Realization of the Work, 23.3. A Work Full of Signals, 23.4. Intermodulation, 23.5. Music of the Nervous System, 23.6. An Undeniable, Yet Unrealizable Request,
    7. HYMNEN (1966-67), 24.1. Origins of the Piece and Its Designation, 24.2. The Different Versions of HYMNEN, 24.3. Once Again Intermodulation, and Radical Extensions, 24.4. Regarding Materials and Form, 24.5. The Use of Quotations and Referentiality in HYMNEN, 24.6. The Controversy Surrounding the Anthems, 24.7. The Making of the Magnetic Tape and the Sonorities of HYMNEN,
    8. Universals,
    9. STIMMUNG (1968), 26.1. The Formants' Song, 26.2. A Vocalic Music, 26.3. Enjoyment or Alienation?, 26.4. STIMMUNG's Vocal Micro-Macro-Spatiality, 26.5. Regarding the Form, 26.6. As for the Poems Used, 26.7. Regarding the Days of the Week, 26.8. Stockhausen's Vocalic Square, 26.9. The Tempos, the Rhythm of the Models and Their Main Vowels, 26.10. The "Error" as a Deviation, 26.11. From Multiple to One, From One to Multiple,
    10. KURZWELLEN (1968),
    11. Processes,
    12. AUS DEN SIEBEN TAGEN (1968) and FÜR KOMMENDE ZEITEN (1968-70)