Produktbild: The Cambridge Companion to Rodgers and Hammerstein
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The Cambridge Companion to Rodgers and Hammerstein

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.11.2026

Herausgeber

William A. Everett

Verlag

Cambridge Academic

Seitenzahl

320

Sprache

Englisch

ISBN

978-1-316-51381-1

Beschreibung

Portrait

William A. Everett is Curators' Distinguished Professor of Musicology Emeritus at the University of Missouri-Kansas City. His latest book is The Year that Made the Musical: 1924 and the Glamour of Musical Theatre (Cambridge, 2024). He is the editor of the series Cambridge Elements in Musical Theatre.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.11.2026

Herausgeber

William A. Everett

Verlag

Cambridge Academic

Seitenzahl

320

Sprache

Englisch

ISBN

978-1-316-51381-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Cambridge Companion to Rodgers and Hammerstein
  • List of figures; List of tables; List of musical examples; List of contributors; Preface; Acknowledgements; Chronology; Part I. Before Rodgers and Hammerstein: 1. Rodgers before Hammerstein Dominic Symonds; 2. Oscar Hammerstein's early career John Graziano; Part II. Being Rodgers and Hammerstein: 3. The sounds of Rodgers and Hammerstein Paul R. Laird; 4. Getting to know them: Rodgers and Hammerstein's co-creators Arianne Johnson Quinn; 5. 'That's when they take it to the bank': the business of Rodgers and Hammerstein Michael Schwartz; 6. Rodgers and Hammerstein, the 'integrated musical' and 'the golden age' Alex Bádue; Part III. The musicals of Rodgers and Hammerstein: 7. Oklahoma! A musical for its times Phoebe Rumsey; 8. State Fair and us Jake Johnson; 9. How do you solve a problem like Carousel? Trudi Wright; 10. Allegro: a musical tale of a medical everyman William A. Everett and Christopher Crenner; 11. Minor thoughts about South Pacific Broderick D. V. Chow; 12. The King and I: beyond performing geopolitics Sissi Liu; 13. Me and Juliet: innovative metatheatrical musical comedy George Burrows; 14. Pipe dream: Rodgers and Hammerstein's Zeitoper? Marida Rizzuti; 15. Cinderella on television: the transformational power of adaptive dramaturgy Jordan Ealey and Stacy Wolf; 16. The bridges of flower drum song Hsun Lin; 17. 'Climb Ev'ry Mountain': places, mobilities and identities in The Sound of Music Nils Grosch; Part IV. Legacies: 18. Rodgers after Hammerstein Dominic Broomfield-McHugh; 19. Daniel Fish and the 'white noise' of Oklahoma! Sarah Whitfield; 20. Many a new day: Rodgers and Hammerstein's staying power Laura MacDonald; Select Bibliography; Index.