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Produktbild: Mantel, G: Cello Technique

Mantel, G: Cello Technique Principles and Forms of Movement

Fr. 38.90

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.08.1995

Verlag

Indiana University Press

Seitenzahl

256

Maße (L/B/H)

21.6/14/1.3 cm

Gewicht

340 g

Sprache

Englisch

ISBN

978-0-253-21005-0

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.08.1995

Verlag

Indiana University Press

Seitenzahl

256

Maße (L/B/H)

21.6/14/1.3 cm

Gewicht

340 g

Sprache

Englisch

ISBN

978-0-253-21005-0

Herstelleradresse

Mare Nostrum Group B.V.
Doelen 72
4831 GR Breda
NL
gpsr@mare-nostrum.co.uk

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  • Produktbild: Mantel, G: Cello Technique

  • Foreword by Janos Starker
    Translator's Note
    Introduction
    Part One: Goal-Directed Movement
    I. On Controlling Movement
    General Issues
    Goal Conception
    Control of Movement
    II. The Physics of Movement
    Energy and Mass
    Equilibrium
    Energy Reserve and Looseness
    III. Movement As Gestalt
    Movement in Space
    Movement in Time
    Part Two: The Fingerboard
    IV. Position Change
    Total Body Movement during Position Change
    Rotation of the Body and the Leg Muscles
    Elasticity of the Body
    Breathing and Position Change
    Bow Direction and Position Change
    Portamento and Rhythm
    Movement of the Left Arm during Position Change
    Movement of the Hand and Fingers during Position Change
    Finger Activity during the Anticipatory Movement
    V. Placement of Fingers, Hand, and Arm Within One Position
    Hand and Position
    The First Four Positions
    The Transitional Positions (Fifth to Seventh)
    The Thumb Positions
    String Crossings and Double Stops
    VI. Movement Within the Hand
    Percussion
    The Trill
    Fluency
    VII. Vibrato
    Vibrato as a Means of Expression: Frequency and Amplitude
    Vibrato Movement of the Arm
    Application of Vibrato
    Vibrato and Pitch Level
    Part Three: The Bow
    VIII. The Bowed String
    How Is a Sound Produced on the String?
    Change of Volume: Pressure, Speed, and Contact Point
    Sound Colors
    Speed, Pressure, and Contact Point in Their Practical Application
    Problems of Sound Production: How to Make a String Speak
    IX. Transmission of Pressure to the String
    Arm Weight
    Moment of Rotation (Rotational Force)
    Pressure Relationships in the Bow Hand
    Holding the Bow
    Slanting the Instrument
    X. Movement of the Right Arm
    Upper Arm and Forearm in a Whole-Bow Stroke
    Hand and Finger Movements during a Whole-Bow Stroke
    Bow Change
    String Change
    Simultaneous Bow and String Change
    XI. Different Kinds of Bowing
    Détaché
    Martellato
    Staccato
    Off-the-String Bowings
    Conclusion
    Bibliography