Introduction Chord, Collection, and Set in Twentieth-Century Theory - Jonathan W. Bernard Scriabin's Music: Structure as Prism for Mystical Philosophy - James M. Baker Tonality: A Conflict of Forces - Patricia Carpenter Neoclassicism and Its Definitions - Pieter C. van den Toorn Modernist Aesthetics, Modernist Music: Some Analytical Perspectives - Arnold Whittall Salient Features - John Rothgeb Synthesis and Association, Structure and Design in Multi-Movement. Compositions - David Neumeyer Tonal/Atonal: Cognitive Strategies for Recognizing Transposed Melodies - Elizabeth West Marvin Voice Leading in Atonal Music - Joseph N. Straus K, Kh, and Beyond - Robert D. Morris The Submediant as Third Divider: Its Representation at Different Structural Levels - David W. Beach The Form of Chopin's Polonaise-Fantasy - William Rothstein Chasing the Scent: Tonality in Liszt's Blume und Duft - Robert P. Morgan Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Song and Jazz - Steven E. Gilbert Bitonality, Pentatonicism, and Diatonicism in a Work by Milhaud - Daniel Harrison Signposts on Webern's Path to Atonality: The Dehmel Lieder (1906-08) - Robert W. Wason Some Notes on Pierrot Lunaire - David Lewin Form and Idea in Schoenberg's Phantasy - Christopher Hasty Elision and Structural Levels in Peter Maxwell Davies's Dark Angels - Ann K. McNamee Index
