Produktbild: A Companion to Modern British and Irish Drama

A Companion to Modern British and Irish Drama 1880 - 2005

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

15.03.2010

Herausgeber

Mary Luckhurst

Verlag

John Wiley & Sons

Seitenzahl

608

Maße (L/B/H)

24.6/17.4/3.7 cm

Gewicht

1040 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-1-4443-3204-9

Beschreibung

Rezension

"Offers strong and accessible scholarship on major playwrights and aspects of theatrical history and historiography, and usefully reflects on its own practices and agendas, and will be extremely useful to students and theatre scholars." Cercles

" A Companion to Modern British and Irish Drama 1880-2005 is a much needed intervention in the field, with its substantial coverage of Irish drama and significant essays on the work of women playwrights, as well as solid coverage of the usual suspects. It is profitably innovative in terms of both structure and content. Many volumes with such a coverage remit fail to ever go much beyond the standard canonical playwrights and texts...a 'must buy' for all University libraries...this is a volume which will have currency for years to come." New Theatre Quarterly

"Luckhurst argues for a reassessment of Englishness, and, accordingly, this companion emphasizes postcolonial and feminist agendas and questions the dominance of urban locales and certain theatrical institutions...combined, the essays provide a necessary reassessment of British and Irish drama." Choice

"There is so much valuable material in the book that it is sure to be frequently read and consulted."
Donald Hawes, Reference Reviews

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

15.03.2010

Herausgeber

Mary Luckhurst

Verlag

John Wiley & Sons

Seitenzahl

608

Maße (L/B/H)

24.6/17.4/3.7 cm

Gewicht

1040 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-1-4443-3204-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: A Companion to Modern British and Irish Drama
  • Acknowledgements xi

    List of Illustrations xii

    Notes on Contributors xiii

    Introduction 1
    Mary Luckhurst

    Part I Contexts 5

    1 Domestic and Imperial Politics in Britain and Ireland: The Testimony of Irish Theatre 7
    Victor Merriman

    2 Reinventing England 22
    Declan Kiberd

    3 Ibsen in the English Theatre in the Fin de Siecle 35
    Katherine Newey

    4 New Woman Drama 48
    Sally Ledger

    Part II Mapping New Ground, 1900-1939 61

    5 Shaw among the Artists 63
    Jan McDonald

    6 Granville Barker and the Court Dramatists 75
    Cary M. Mazer

    7 Gregory, Yeats and Ireland's Abbey Theatre 87
    Mary Trotter

    8 Suffrage Theatre: Community Activism and Political Commitment 99
    Susan Carlson

    9 Unlocking Synge Today 110
    Christopher Murray

    10 Sean O'Casey's Powerful Fireworks 125
    Jean Chothia

    11 Auden and Eliot: Theatres of the Thirties 138
    Robin Grove

    Part III England, Class and Empire, 1939-1990 151

    12 Empire and Class in the Theatre of John Arden and Margaretta D'Arcy 153
    Mary Brewer

    13 When Was the Golden Age? Narratives of Loss and Decline: John Osborne, Arnold Wesker and Rodney Ackland 164
    Stephen Lacey

    14 A Commercial Success: Women Playwrights in the 1950s 175
    Susan Bennett

    15 Home Thoughts from Abroad: Mustapha Matura 188
    D. Keith Peacock

    16 The Remains of the British Empire: The Plays of Winsome Pinnock 198
    Gabriele Griffin

    Part IV Comedy 211

    17 Wilde's Comedies 213
    Richard Allen Cave

    18 Always Acting: Noel Coward and the Performing Self 225
    Frances Gray

    19 Beckett's Divine Comedy 237
    Katharine Worth

    20 Form and Ethics in the Comedies of Brendan Behan 247
    John Brannigan

    21 Joe Orton: Anger, Artifice and Absurdity 258
    David Higgins

    22 Alan Ayckbourn: Experiments in Comedy 269
    Alexander Leggatt

    23 'They Both Add up to Me': The Logic of Tom Stoppard's Dialogic Comedy 279
    Paul Delaney

    24 Stewart Parker's Comedy of Terrors 289
    Anthony Roche

    Part V War and Terror 299

    25 AWounded Stage: Drama and World War I 301
    Mary Luckhurst

    26 Staging 'the Holocaust' in England 316
    John Lennard

    27 Troubling Perspectives: Northern Ireland, the 'Troubles' and Drama 329
    Helen Lojek

    28 On War: Charles Wood's Military Conscience 341
    Dawn Fowler and John Lennard

    29 Torture in the Plays of Harold Pinter 358
    Mary Luckhurst

    30 Sarah Kane: From Terror to Trauma 371
    Steve Waters

    Part VI Theatre since 1968 383

    31 Theatre since 1968 385
    David Pattie

    32 Lesbian and Gay Theatre: All Queer on the West End Front 398
    John Deeney

    33 Edward Bond: Maker of Myths 409
    Michael Patterson

    34 John McGrath and Popular Political Theatre 419
    Maria DiCenzo

    35 David Hare and Political Playwriting: Between the Third Way and the Permanent Way 429
    John Deeney

    36 Left in Front: David Edgar's Political Theatre 441
    John Bull

    37 Liz Lochhead: Writer and Re-Writer: Stories, Ancient and Modern 454
    Jan McDonald

    38 'Spirits that Have Become Mean and Broken': Tom Murphy and the 'Famine' of Modern Ireland 466
    Shaun Richards

    39 Caryl Churchill: Feeling Global 476
    Elin Diamond

    40 Howard Barker and the Theatre of Catastrophe 488
    Chris Megson

    41 Reading History in the Plays of Brian Friel 499
    Lionel Pilkington

    42 Marina Carr: Violence and Destruction: Language, Space and Landscape 509
    Cathy Leeney

    43 Scrubbing up Nice? Tony Harrison's Stagings of the Past 519
    Richard Rowland

    44 The Question of Multiculturalism: The Plays of Roy Williams 530
    D. Keith Peacock

    45 Ed Thomas: Jazz Pictures in the Gaps of Language 541
    David Ian Rabey

    46 Theatre and Technology 551
    Andy Lavender

    Index 563