Shell Shock Cinema Weimar Culture and the Wounds of War
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Sprache:Englisch
Fr. 53.90
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Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
02.10.2011
Verlag
Princeton University PressSeitenzahl
328
Maße (L/B/H)
23.4/15.6/2 cm
Gewicht
560 g
Sprache
Englisch
ISBN
978-0-691-00850-9
Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock" - coined during World War I to describe soldiers suffering from nervous breakdowns - as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close textual analysis with extensive archival research, Kaes shows how this post-traumatic cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today.
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