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Produktbild: Aesthetic Mind

Aesthetic Mind Philosophy and Psychology

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.04.2012

Herausgeber

Schellekens Elisabeth + weitere

Verlag

Oxford Academic

Seitenzahl

470

Maße (L/B/H)

24/16.1/3 cm

Gewicht

866 g

Sprache

Englisch

ISBN

978-0-19-969151-7

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.04.2012

Herausgeber

Verlag

Oxford Academic

Seitenzahl

470

Maße (L/B/H)

24/16.1/3 cm

Gewicht

866 g

Sprache

Englisch

ISBN

978-0-19-969151-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Aesthetic Mind

    • Introduction


    • PART 1: The PSYCHOLOGY OF THE AESTHETIC


    • 1: Gregory Currie: The Master of the Masek Beds: Handaxes, Art and the Minds of Early Humans


    • 2: Matthew Kieran: The Fragility of Aesthetic Knowledge: Aesthetic Psychology and Appreciative Virtues


    • 3: Dahlia W. Zaidel: Neuroscience, Biology, and Brain Evolution in Visual Art


    • 4: Roman Frigg and Catherine Howard: Fact and Fiction in the Neuropsychology of Art


    • PART 2: EMOTION IN AESTHETIC EXPERIENCE


    • 5: Jesse Prinz: Emotion and Aesthetic Value


    • 6: Roddy Cowie: Beauty is Felt, not Calculated; and it Does Not fit in Boxes


    • 7: Peter Goldie: The Ethics of Aesthetic Bootstrapping


    • 8: Edmund Rolls: The Origins of Aesthetics: A Neurobiological Basis for Affective Feelings and Aesthetics


    • PART 3: BEAUTY AND UNIVERSALITY


    • 9: I. C. McManus: Beauty is Instinctive Feeling: Experimenting on Aesthetics and Art


    • 10: Jerrold Levinson: Beauty Is Not One: The Irreducible Variety of Visual Beauty


    • 11: Robert Layton: Aesthetics: The Approach from Social Anthropology


    • 12: Elisabeth Schellekens: Experiencing the Aesthetic: Kantian Autonomy or Evolutionary Biology?


    • PART 4: IMAGINATION AND MAKE-BELIEVE


    • 13: Aaron Meskin and Jonathan Weinberg: Imagination Unblocked


    • 14: Dorothy and Jerome Singer: An Attitude Towards the Possible: The Contributions of Pretend Play to Later Adult Consciousness


    • 15: Kathleen Stock: Unpacking the Boxes: The Cognitive Theory of Imagination and Aesthetics


    • PART 5: FICTION AND EMPATHY


    • 16: David Miall: Enacting the Other: Towards an Aesthetics of Feeling in Literary Reading


    • 17: Peter Lamarque: On Keeping Psychology Out of Literary Criticism


    • 18: Zanna Clay and Marco Iacoboni: Mirroring Fictional Others


    • PART 6: MUSIC, DANCE, AND EXPRESSIVITY


    • 19: Noël Carroll and Margaret Moore: Moving in Concert: Dance and Music


    • 20: David Davies: 'I'll Be Your Mirror'?: Embodied Agency, Dance, and Neuroscience


    • 21: William Forde Thompson and Lena Quinto: Music and Emotion: Psychological Considerations


    • 22: Stephen Davies: Cross-cultural Musical Expressiveness: Theory and the Empirical Programme


    • PART 7: PICTORIAL REPRESENTATION AND APPRECIATION


    • 23: Mark Rollins: Neurology and the New Riddle of Pictorial Style


    • 24: Norman H. Freeman: Varieties of Pictorial Judgement: A Functional Account


    • 25: Derek Matravers: Pictorial Representation and Psychology


    • Index