This book takes advantage of exclusive access to letters the young artist wrote to his mentor, Margaret Bundy Callahan, during the mid-1940s, and includes much that Cumming left out of his 1984 memoir, "Sketchbook". Because of his close association with the Big Four - Tobey, Graves, Callahan, and Anderson - of the Northwest School, Cumming's art has often been compared to theirs and not allowed to stand on its own, considerably different, basis. That Kangas acknowledges this independent stand is one of this engrossing book's chief strengths.
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