Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
24.10.2017
Verlag
Steidl VerlagSeitenzahl
88
Maße (L/B/H)
31.1/24/1.9 cm
Gewicht
1072 g
Auflage
1. Auflage
Sprache
Englisch
ISBN
978-3-86930-580-6
In the valleys, from the high summits that surround Zermatt, the gigantic movement of the glacier is frozen, like an
irreversible snapshot. Here, the seasons pass one after the other, but have no power over a history that has fallen to
pieces. The rare human silhouettes and colour are incorporated into this immobile flux like annexes to the autarkic
oxygen of Zermatt as a place. The imprint of plants appears to be mineral and gigantic, the summits and perspectives
are turned upside down, the immobility of stone and ice resembles a fossilized tumult, a flow of ages. The almost total
effacing of intention in these photographs lets other things appear—as if by imposition—in the glacial mist or the pastel
intoxicated by altitude: a form of nature in which texture and matter take on the aspect of puzzles, fractals, the
interweaving of crystals and of gypsum.
These ups and downs of mute logic and unthought-of mirror-games have laid down their principles for the composition
of a book, reinforcing this choice by using over-aged rolls of film whose texture, matured by the coldness of wintry
mountains, has worked alone, with its specifically intimate process. Since the image has been captured in this form of
withdrawal, its pictorial force comes across as a natural element: a contemplated, integral secret.
irreversible snapshot. Here, the seasons pass one after the other, but have no power over a history that has fallen to
pieces. The rare human silhouettes and colour are incorporated into this immobile flux like annexes to the autarkic
oxygen of Zermatt as a place. The imprint of plants appears to be mineral and gigantic, the summits and perspectives
are turned upside down, the immobility of stone and ice resembles a fossilized tumult, a flow of ages. The almost total
effacing of intention in these photographs lets other things appear—as if by imposition—in the glacial mist or the pastel
intoxicated by altitude: a form of nature in which texture and matter take on the aspect of puzzles, fractals, the
interweaving of crystals and of gypsum.
These ups and downs of mute logic and unthought-of mirror-games have laid down their principles for the composition
of a book, reinforcing this choice by using over-aged rolls of film whose texture, matured by the coldness of wintry
mountains, has worked alone, with its specifically intimate process. Since the image has been captured in this form of
withdrawal, its pictorial force comes across as a natural element: a contemplated, integral secret.
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