Produktbild: Savarese, N: Eurasian Theatre

Savarese, N: Eurasian Theatre Drama and Performance Between East and West from Classical Antiquity to the Present

Aus der Reihe Routledge Icarus

Fr. 253.00

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.08.2013

Verlag

Taylor & Francis

Seitenzahl

640

Maße (L/B/H)

24.2/17.9/5.2 cm

Gewicht

1065 g

Sprache

Englisch

ISBN

978-0-415-72297-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.08.2013

Verlag

Taylor & Francis

Seitenzahl

640

Maße (L/B/H)

24.2/17.9/5.2 cm

Gewicht

1065 g

Sprache

Englisch

ISBN

978-0-415-72297-1

Kundinnen und Kunden meinen

0 Bewertungen

Informationen zu Bewertungen

Zur Abgabe einer Bewertung ist eine Anmeldung im Konto notwendig. Die Authentizität der Bewertungen wird von uns nicht überprüft. Wir behalten uns vor, Bewertungstexte, die unseren Richtlinien widersprechen, entsprechend zu kürzen oder zu löschen.

Die Bewertungen sind nach Format, Anzahl Sterne und Datum sortiert.

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kund*innen durch Ihre Meinung

Kundinnen und Kunden meinen

0 Bewertungen filtern

  • Produktbild: Savarese, N: Eurasian Theatre
  • Preface, by Vicki Ann Cremona; by Nicola Savarese - I. THE 'MASCHERA' OF MARCO POLO. The Exotic Myth of Asia from Antiquity to the Renaissance - 1. Asia in Tragedy - 2. Alexander's Dream - 3. Rome looks to the Orient - 4. Mimes and Pantomimes in Rome - 5. Byzantine Interludes - 6. Jugglers in the Han Court - 7. Tang Exoticism - 8. The Students from the Pear Garden - 9. The Fabulous Asia of the Middle Ages - 10. Tartar Clothing for Marco Polo - 11. Morris Dances and Moorish Figures - 12. Theatre in the Court of the Great Khan - 13. Danses Macabres - 14. Byzantine Crossroads - 15. From Constantinople to Istanbul - 16. Costumes from Far--off Countries - 17. The Moor of Venice - 18. The Prisons of Algiers - II. THE SAVAGE HARLEQUIN - Oriental Exoticism in European Theatre between the Sixteenth and Eighteenth Centuries - 1. After the Pepper, the Souls: the Jesuits in Asia - 2. False Brahmins - 3. Christian Indians and Japanese Martyrs - 4. Local Colour - 5. Amorous Turks and Gallant Moors - 6. The Fake Turk - 7. In the Name of the Orient - 8. The Turkish March - 9. Persian Wives and Indian Widows - 10. Arlequin Sauvage - 11. The Silent Merchants - 12. Idle and Vile Profession - 13. The Chinese Fashion - 14. Chinese Shadows - 15. A Fundamental Misunderstanding - 16. The Translations of a Chinese Drama - 17. Voltaire's Edifying Orient - 18. L'Orphelin de la Chine - III. THE REINCARNATION OF SAKUNTALA - Oriental Theatres Between the Enlightenment and Romanticism - 1. The Beginnings of Orientalism - 2. Sakuntala in Europe - 3. Gautier's Ballet - 4. English Entertainments in London - 5. William Jones and His Twenty--Eight Tongues - 6. Sir William Discovers Sakuntala - 7. Theatres in India - 8. English Entertainments in Calcutta - 9. The Playhouse - 10. Mrs. Bristow's Little Theatre - 11. Mr. Lebedev's Theatre - 12. Philology and Anthropology - 13. The Theatres of Bengal - 14. A Street Theatre - 15. The Dances of the Bayaderes - 16. Romanticism and Orientalism - 17. In Search of Origins - 18. The Little Clay Cart - IV. AN EMBLEMATIC PLAY OF MIRRORS - Sada Yacco and Kawakami travel to the West - 1. A Parade on Broadway - 2. Kawakami Otojiro's American Tour - 3. The Paris Exposition Universelle of 1900 - 4. Sada Yacco at the Exhibition - 5. Golden Silk and Flames - 6. A Free Child - 7. The Students' Theatre - 8. From Politics to Theatre - 9. Theatre Artists - 10. The Development of the New Wave - 11. The Second European Tour - 12. The Garden of the Ten Thousand Pine Trees - 13. Kawakami's Last Journey - 14. Sada Yacco Retires from the Stage - 15. Three Continents - 16. The Authority of Apparent Experience - 17. The Science of Theatre - 18. Spider webs - V. THE MOBILE ACADEMY - Little Crossroads at the Dawn of the Twentieth Century - 1. A Lantern and a Bell - 2. The Discovery of Hanako - 3. The Various Talents of an Impresario - 4. Hanako Discovers She is an Actress - 5. Cambodian Dances - 6. Rodin's Last Works - 7. Rodin and the New Dance - 8. The King of Cambodia's Dancers - 9. The Great Resources - 10. Pioneers of the Rules - 11. The Rediscovered Dance - 12. Hanako Meets Rodin - 13. The Artist and the Model - 14. Passages - 15. The Dance of Shiva - 16. Hanako's Travels - 17. Some Notes on Realism in the Arts - 18. Provisional Conclusions - VI. THE TRADITION OF DIFFERENCE - Myth and History of Oriental Theatres in the Twentieth Century - 1. The Dialectic of Exoticism - 2. More About the World Exhibitions - 3. Attractions Large and Small - 4. Javanese Shadows - 5. Marionettes on the Banks of the Ganges - 6. The Invention of Tradition - 7. The Destinies of no - 8. At the Hawk's Well - 9. Zeami's writings - 10. The Magic Pillow - 11. Kabuki in Pigalle - 12. Artaud Sees Balinese Theatre - 13. Stylization or Biomechanics? - 14. Hear the Movement, See the Sound - 15. Wind from the East - 16. The Lesson of the Far East - 17. To Heal a Wound - 18. Borderless Performances - Bibliography Index