Funny How Things Turn Out Love, Death and Unsuitable Husbands - a Mother and Daughter story
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- Hardcover
- Taschenbuch
- eBook ausgewählt
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Form:Einzelkauf Download
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Sprache:Englisch
Fr. 8.20
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Ja
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
01.03.2012
Verlag
Simon & Schuster UKSeitenzahl
304 (Printausgabe)
Dateigröße
1249 KB
Sprache
Englisch
EAN
9780857208224
Muriel Newmarch was born in North London in 1903. She died in 2009, aged 106, in a care home in Sussex. Judith Bruce is her daughter, and Funny How Things Turn Out- part biography, part memoir - tells the story of both her mother and herself, which in turn traces the unprecedented changes to women's lives during the 20th Century.
The first half of the book chronicles Muriel's world through the Zeppelin raids of WW1, a painfully stilted class system, and marriage and motherhood in the 1930s - then her daughter, Judith, picks up the first-person narrative as a mischievous child in the 1940s and we stay with her until the end of the book.
Woven artfully through the episodic chapters are the loves, aspirations and disappointments of two 'ordinary' women. Written with an understated elegance, Judith Bruce brings to life a barely remembered England of satin dresses at Swan & Edgar's, liberty bodices at grammar school, and English summer days where silent fathers mowed the lawn in polished shoes and unsuitable boyfriends smoked Player's Navy Cut.
As we move through the post-war years from austerity and to prosperity, and Judith's working life at the BBC, the voice could almost be that of Alan Bennett. Even more so when charting the poignancy of Muriel's fading days, failing body and disappearing memory. It is a remarkable and accomplished portrait of life, love and death.
The first half of the book chronicles Muriel's world through the Zeppelin raids of WW1, a painfully stilted class system, and marriage and motherhood in the 1930s - then her daughter, Judith, picks up the first-person narrative as a mischievous child in the 1940s and we stay with her until the end of the book.
Woven artfully through the episodic chapters are the loves, aspirations and disappointments of two 'ordinary' women. Written with an understated elegance, Judith Bruce brings to life a barely remembered England of satin dresses at Swan & Edgar's, liberty bodices at grammar school, and English summer days where silent fathers mowed the lawn in polished shoes and unsuitable boyfriends smoked Player's Navy Cut.
As we move through the post-war years from austerity and to prosperity, and Judith's working life at the BBC, the voice could almost be that of Alan Bennett. Even more so when charting the poignancy of Muriel's fading days, failing body and disappearing memory. It is a remarkable and accomplished portrait of life, love and death.
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