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  • Produktbild: Write in Tune
  • Produktbild: Write in Tune

Write in Tune Contemporary Music in Fiction

Fr. 209.00

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

17.07.2014

Herausgeber

Erich Hertz + weitere

Verlag

Bloomsbury Academic

Seitenzahl

280

Maße (L/B/H)

23.5/15.7/2 cm

Gewicht

544 g

Sprache

Englisch

ISBN

978-1-62356-422-3

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

17.07.2014

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

280

Maße (L/B/H)

23.5/15.7/2 cm

Gewicht

544 g

Sprache

Englisch

ISBN

978-1-62356-422-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Write in Tune
  • Produktbild: Write in Tune

  • Introduction
    Erich Hertz and Jeffrey Roessner

    Part 1: Negotiating Pop Styles
    1. More Than Zero: Post-Punk Ideology (And Its Rejection) in Bret Easton Ellis
    Matthew Luter, Faculty Member, Webb School, USA

    2. "Consistently Original, Perennially Unheard Of": Punk, Margin and Mainstream in Jonathan Franzen's Freedom
    Mark Bresnan, Assistant Professor of Academic Writing, Marymount Manhattan College, USA

    3. A Novel Idea for a Soundtrack: Tim Winton's Dirt Music
    Tanya Dalziell, Professor in English and Cultural Studies, University of Western Australia, Australia

    4. "Where the Beat Sounds the Same": American Psycho and the Cultural Capital of Pop Music
    Carl Miller, Assistant Professor of English, Palm Beach Atlantic University, USA

    5. Playing (in) Seattle: Grunge as a Narrative Soundscape in Mark Lindquist's Never Mind Nirvana
    Fiorenzo Iuliano, Lecturer in American Literature, University of Cagliari, Italy

    Part 2: Gendering Rock and Jazz
    6. Masculinity and Jazz in Jackie Kay's Trumpet, Jim Crace's All That Follows and Alan Plater's The Beiderbecke Trilogy
    Aidan Byrne, Senior Lecturer in English and Cultural Studies, University of Wolverhampton, UK
    Nicola Allen, University of Wolverhampton, UK

    7. Queer Time, Queer Space, and Queer Edge in Lynn Breedlove's Godspeed
    Joseph P. Fisher, George Washington's College of Professional Studies and North Virginia Community College, Alexandria, USA

    8. The Popular Music Experiments of Rick Moody's Connecticut WASPs in The Ice Storm
    Zachary Snider, Writer, USA

    9. "Every song ends": Musical Pauses, Gendered Nostalgia, and Loss in Jennifer Egan's A Visit from the Goon Squad
    Danica van de Velde, University of Western Australia, Australia

    Part 3: Sounding Race and Nation
    10. "It's me or the . . . Eggplant": Pleasure, Politics, and Prince in Hanif Kureishi'sThe Black Album
    Eric Berlatsky, Associate Professor of English, Florida Atlantic University, USA

    11. Rock Music as Cosmopolitan Touchstone in Salman Rushdie's The Ground Beneath Her Feet
    Tim Gauthier, Director of the Interdisciplinary Degree Programs, University of Nevada, Las Vegas, USA

    12. Music Consumption and the Remix of Self in Colson Whitehead's Sag Harbor
    John Joseph Hess, Visiting Assistant Professor of American Literature, Florida Atlantic University, USA

    13. Static Signals: Celia Cruz, Santería and Markets of Latinidad in Jennine Capó Crucet's How to Leave Hialeah
    Elena Machado Sáez, Associate Professor of English, Florida Atlantic University, USA

    Part 4: Making Pop Art
    14. Incommensurate Nostalgias: Changin' Times in Watchmen
    Benjamin J. Robertson, Instructor, University of Colorado, Boulder

    15. "To see the world in a liner note": The Limits of Song in Jonathan Lethem's The Fortress of Solitude
    Christopher González, Assistant Professor of English, Texas A&M University, Commerce, USA

    16. Unrest and Silence: The Faithless Music of the Contemporary British Novel
    Will May, Senior Lecturer in English, University of Southampton, UK

    17. The Rock Star's Responsibility: Privacy, Industry, and Artistry in Novels by DeLillo, Lethem, and Franzen
    D. Quentin Miller, Professor of English, Suffolk University, UK

    Contributor Biographies
    Music in Contemporary Fiction: Selected Bibliography

    Index