Lay Back the Darkness Poems
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Sprache:Englisch
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Produktdetails
Format
ePUB
Kopierschutz
Ja
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
18.12.2008
Verlag
Knopf Doubleday Publishing GroupSeitenzahl
88 (Printausgabe)
Dateigröße
1755 KB
Sprache
Englisch
EAN
9780307536990
Edward Hirsch's sixth collection is a descent into the darkness of middle age, narrated with exacting tenderness. He explores the boundaries of human fallibility both in candid personal poems, such as the title piecea plea for his father, a victim of Alzheimer's wandering the hallway at nightand in his passionate encounters with classic poetic texts, as when Dante's Inferno enters his bedroom:
When you read Canto Five aloud last night
in your naked, singsong, fractured Italian,
my sweet compulsion, my carnal appetite,
I suspected we shall never be forgiven
for devouring each other body and soul . . .
From the lighting of a Yahrzeit candle to the drawings by the children of Terezin, Hirsch longs for transcendence in art and in the troubled history of his faith. In The Hades Sonnets, the ravishing series that crowns the collection, the poet awakens full of grief in his wife's arms, but here as throughout, there is a luminous forgiveness in his examination of our sorrows. Taken together, these poems offer a profound engagement with our need to capture what is passing (and past) in the incandescence of language.
When you read Canto Five aloud last night
in your naked, singsong, fractured Italian,
my sweet compulsion, my carnal appetite,
I suspected we shall never be forgiven
for devouring each other body and soul . . .
From the lighting of a Yahrzeit candle to the drawings by the children of Terezin, Hirsch longs for transcendence in art and in the troubled history of his faith. In The Hades Sonnets, the ravishing series that crowns the collection, the poet awakens full of grief in his wife's arms, but here as throughout, there is a luminous forgiveness in his examination of our sorrows. Taken together, these poems offer a profound engagement with our need to capture what is passing (and past) in the incandescence of language.
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