Geschäftskunden Kundenprogramme
Vor Ort
Merkzettel Warenkorb
  • Produktbild: The Cambridge History of Fifteenth-Century Music
  • Produktbild: The Cambridge History of Fifteenth-Century Music

The Cambridge History of Fifteenth-Century Music

Fr. 268.00

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

24.05.2018

Herausgeber

Anna Maria Busse Berger + weitere

Verlag

Cambridge Academic

Seitenzahl

912

Maße (L/B/H)

23.5/15.7/5.3 cm

Gewicht

1550 g

Sprache

Englisch

ISBN

978-1-107-01524-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

24.05.2018

Herausgeber

Verlag

Cambridge Academic

Seitenzahl

912

Maße (L/B/H)

23.5/15.7/5.3 cm

Gewicht

1550 g

Sprache

Englisch

ISBN

978-1-107-01524-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)
Die Leseprobe wird geladen.
  • Produktbild: The Cambridge History of Fifteenth-Century Music
  • Produktbild: The Cambridge History of Fifteenth-Century Music
  • Introduction Anna Maria Busse Berger and Jesse Rodin; Part I. Historiography: (a) Listening: 1. Hearing Josquin hearing Busnoys Michael Long; 2. Religion and the senses in fifteenth-century Europe Klaus Pietschmann; (b) Terms and Concepts: 3. The work concept Laurenz Lütteken; 4. The L'homme armé tradition - and the limits of musical borrowing Jesse Rodin; (c) Composer Studies: 5. Guillaume Du Fay: evidence and interpretation Alejandro Enrique Planchart; 6. Jean d'Ockeghem Lawrence F. Bernstein; 7. Josquin and epistemology Jesse Rodin; Part II. Improvisation and Composition: 8. Oral composition in fifteenth-century music Anna Maria Busse Berger; 9. Improvisation as concept and musical practice in the fifteenth century Philippe Canguilhem; 10. How did Oswald von Wolkenstein make his contrafacta? Anna Maria Busse Berger; 11. Making a motet: Josquin's Ave Maria...virgo serena John Milsom; 12. The origins of pervasive imitation Julie E. Cumming and Peter Schubert; Part III. Humanism: 13. Humanism and music in Italy James Hankins; 14. Fifteenth-century humanism and music outside Italy Reinhard Strohm; 15. Poetic humanism and music in the fifteenth century Leofranc Holford-Strevens; 16. Canterino and Improvvisatore: oral poetry and performance Blake Wilson; 17. Liturgical Humanism: saints' offices from the Italian peninsula in the fifteenth century Alison K. Frazier; Part IV. Music and Other Arts: 18. Architecture and music in fifteenth-century Italy Deborah Howard; 19. Music and feasts in the fifteenth century Anthony M. Cummings; 20. French lyrics and songs for the New Year, c.1380-1420 Yolanda Plumley; Part V. Music in Churches, Courts, and Cities: 21. Musical institutions in the fifteenth century and their political contexts Klaus Pietschmann; 22. Music and musicians at the Burgundian court in the fifteenth century David Fiala; 23. The papal chapel in the late fifteenth century Richard Sherr; 24. The beneficial system and fifteenth-century polyphony Pamela F. Starr; 25. Professional women singers in the fifteenth century: a tale of two Annas Bonnie J. Blackburn; 26. Savonarola and the boys of Florence: songs and politics Patrick Macey; Part VI. Religious Devotion and Liturgy: 27. Music and ritual M. Jennifer Bloxam; 28. Marian devotion in the fifteenth century David J. Rothenberg; 29. Affective literature and sacred themes in fifteenth-century music Anne Walters Robertson; Part VII. Theory and Practice: 30. Measuring measurable music in the fifteenth century Anne Stone; 31. The transformative impulse Emily Zazulia; 32. Transformations in music theory and music treatises Evan A. MacCarthy; Part VIII. Sources: 33. Polyphonic sources, c.1400-50 Margaret Bent; 34. Polyphonic sources, c.1450-1500 Thomas Schmidt-Beste; Part IX. Genres: 35. The polyphonic mass in the fifteenth century Andrew Kirkman; 36. The fifteenth-century motet Laurenz Lütteken; 37. Fifteenth-century song Nicole Schwindt; 38. Instrumental music in the fifteenth century Keith Polk; 39. Sacred song in the fifteenth century: cantio, carol, lauda, Kirchenlied Reinhard Strohm; 40. Plainsong in the age of polyphony Richard Sherr; Part X. Reception: 41. The most popular songs of the fifteenth century David Fallows; 42. The nineteenth-century reception of fifteenth-century sacred music Andrew Kirkman; 43. The modern reception of the music of Jean d'Ockeghem Lawrence F. Bernstein; 44. Recordings of fifteenth-century music Honey Meconi; 45. Solidarity with the long-departed: fifteenth-century echoes in twentieth-century music Richard Taruskin.