Series Editor's Preface: Elinor Shaffer (University of London)
List of Contributors
Abbreviations
Timeline: Paul Barnaby (Walter Scott Digital Archive)
Introduction: Meteoric Traces: Coleridge's Afterlife in Europe: Elinor Shaffer (University of London)
1. Coleridge's English Afterlife: From De Quincey to I. A. Richards: Seamus Perry (Oxford University)
2. Coleridge's Early Reception in France, from the First to the Second Empire: Michael John Kooy (University of Warwick)
3. The Reception of The Rime of the Ancient Mariner through Gustave Doré's Illustrations: Gilles Soubigou (Université Paris I Panthéon-Sorbonne, France)
4. The Reception of Coleridge in Germany to World War II: Frederick Burwick (UCLA)
5.Coleridge's German Reception 1945 to the Present: Hans-Werner Breunig (University of Magdeburg)
6. From the Spanish Exiles to the Symbolists: Coleridge's Poetry and Poetics in Nineteenth-Century Spain: Eugenia Perojo-Arronte (University of Valladolid)
7. A Path for Literary Change: Poetics and Aesthetic Criticism in Twentieth-Century Spain: Eugenia Perojo-Arronte (University of Valladolid)
8. The Translation of Coleridge's Poetry and his Influence on Twentieth-century Italian poetry: Edoardo Zuccato (IULM University, Milan)
9.Coleridge's Aesthetic Philosophy and Critical Writings in Italy: Franco Nasi (University of Modena and Reggio Emilia)
10.On the Very Late Reception of Coleridge's Writings in Portugal: Jorge Bastos da Silva (University of Oporto)
11. A Spectre or an Unacknowledged Visionary? Coleridge in Czech Culture: Martin Procházka (Charles University, Prague)
12, A Laker, a Friend to Poland, or a European Classic: Coleridge's Polish Reception: Monika Coghen (Jagiellonian University in Kraków)
13. The Albatross in Russia: praised, shot and repented: Elena Volkova (Lomonosov Moscow State University)
Bibliography
Index
