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Produktbild: Art, Aesthetics, and the Brain

Art, Aesthetics, and the Brain

Fr. 213.00

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.09.2015

Herausgeber

Joseph P. Huston + weitere

Verlag

Oxford University Press

Seitenzahl

566

Maße (L/B/H)

23.4/15.7/2.5 cm

Gewicht

635 g

Sprache

Englisch

ISBN

978-0-19-967000-0

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.09.2015

Herausgeber

Verlag

Oxford University Press

Seitenzahl

566

Maße (L/B/H)

23.4/15.7/2.5 cm

Gewicht

635 g

Sprache

Englisch

ISBN

978-0-19-967000-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Art, Aesthetics, and the Brain

    • Section One: Foundational Issues

    • 1: Francisco Mora: Neuroculture: A new cultural revolution?

    • 2: William P. Seeley: Art, meaning, and aesthetics: the case for a cognitive neuroscience of art

    • 3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts: Three Psychological Challenges for the Neuroscience of Aesthetics

    • 4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic appreciation - convergence from experimental aesthetics and physiology

    • 5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the Beholder. Eye-Tracking and the Perception of Paintings

    • Section Two: Cognitive Neuroscience of Visual Aesthetics and Art

    • 6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating the Attractiveness of Faces

    • 7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the Human Brain

    • 8: Ulrich Kirk and David Freedberg: Contextual bias and insulation against bias during esthetic rating: the implication of VMPFC and DLPFC in neural valuation

    • 9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products

    • Section Three: Cognitive Neuroscience of Dance

    • 10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic preference by personal experience

    • 11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates of aesthetic perception of dance

    • 12: Julia F. Christensen and Corinne Jola: Moving towards ecological validity in empirical aesthetics

    • Section Four: Cognitive Neuroscience of Music

    • 13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music: Genres, contextual factors, and individual differences

    • 14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a key element of aesthetic experience: psychological principles and underlying brain mechanisms

    • 15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and Top-down Neural Routes to the Aesthetic Enjoyment of Music

    • 16: Marcus T. Pearce: Effects of expertise on the cognitive and neural processes involved in musical appreciation

    • Section Five: Neuropsychology of Art and Aesthetics

    • 17: Anjan Chatterjee: The Neuropsychology of Visual Art

    • 18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting of Dementia

    • 19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics

    • Section Six: The Evolution of Art, Aesthetics, and the Brain

    • 20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a comparative approach to empirical aesthetics

    • 21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain Coevolution

    • 22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human "instinct-like " behaviour emerging from the exaptation of the communication processes

    • Section Seven: Integrative Approaches

    • 23: Edmund T. Rolls: Neurobiological foundations of art and aesthetics

    • 24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of art: a formal approach

    • 25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and Playing with Time