Aspects of the Novel
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- Hardcover
- Taschenbuch
- eBook ausgewählt
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Form:Einzelkauf Download
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Sprache:Englisch
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Verlag:Rosettabooks
Fr. 16.90
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Nein
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
01.09.2018
Verlag
RosettabooksSeitenzahl
192 (Printausgabe)
Dateigröße
3091 KB
Sprache
Englisch
EAN
9780795311567
The renowned British novelist's "casual and wittily acute guidance" on reading-and writing-great fiction (
Harper's Magazine).
Renowned for such classics as
A Room with a View,
Howards End, and
A Passage to India, E.M. Forster was one of Britain's-and the world's-most distinguished fiction writers, a frequent nominee for the Nobel Prize in Literature. In this collection of lectures delivered at Trinity College, Cambridge, in 1927, he takes a wide-ranging look at English-language novels-with specific examples from such masters as Dickens and Austen-discussing the elements they all have in common.
Using a witty, informal tone and drawing on his extensive readings in French and Russian literature, Forster discusses his ideas in reference to such figures as Tolstoy, Dostoevsky, and Proust; explains the difference between "flat" and "round" characters and between plot and story; and ultimately provides an "admirable and delightful" education for anyone who appreciates the art of a good book (
The New York Times).
Harper's Magazine).
Renowned for such classics as
A Room with a View,
Howards End, and
A Passage to India, E.M. Forster was one of Britain's-and the world's-most distinguished fiction writers, a frequent nominee for the Nobel Prize in Literature. In this collection of lectures delivered at Trinity College, Cambridge, in 1927, he takes a wide-ranging look at English-language novels-with specific examples from such masters as Dickens and Austen-discussing the elements they all have in common.
Using a witty, informal tone and drawing on his extensive readings in French and Russian literature, Forster discusses his ideas in reference to such figures as Tolstoy, Dostoevsky, and Proust; explains the difference between "flat" and "round" characters and between plot and story; and ultimately provides an "admirable and delightful" education for anyone who appreciates the art of a good book (
The New York Times).
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