Melitta Moschik explores the perception and representation of reality in the context of art, while visualizing the real and virtual worlds of information in iconographic, three-dimensional works. The artist translates significant communications surfaces into sculptural symbols and systems of signs that refer to the mechanisms of reception and the duplication of reality. The book offers an impressive overview of Moschik's most recent acrylic glass objects, metal tableaus, and installations, which circulate within the intriguing field of art, technology, literature, and new media.
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