Band 18
Critical Regionalism
Aus der Reihe
Publications of the Bavarian American Academy
Fr. 46.90
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
11.10.2016
Abbildungen
23 Abbildungen
Herausgeber
Klaus Lösch + weitereVerlag
Universitätsverlag Winter GmbH HeidelbergSeitenzahl
216
Maße (L/B/H)
24.1/15.6/2 cm
Gewicht
463 g
Auflage
1. Auflage
Sprache
Englisch
ISBN
978-3-8253-6679-7
This volume presents analyses of cultural practices and literary/visual representations in the larger field of American Studies that apply a critical regionalist approach. Loosely defined as a set of anti-foundational perspectives in the wake of the spatial turn, critical regionalism seeks to investigate apparent regional specificities against the backdrop of local/global trajectories. Taking their cue from urban studies, the essays in this volume inquire about the region as a category of difference (alongside race, gender, class) and as a possibly subversive point of view from which to critique hegemonic spatial (and capitalist) formations.
Topics include an ecocritical analysis of the commodification of bees in the United States (Cheryl Herr), a discussion of multifarious border cultures in the Southwest (Silvia Spitta), an exploration of the role of the regional and the global in the modern women’s movement (Katharina Gerund), a critique of region and class with regard to “rednexploitation” in television culture (Tanja Aho) as well as a critical regionalist account of ruin photography in the United States (Miles Orvell), to name but a few contributions to this volume. All of them seek to re-appraise questions of region(alism) focusing on patterns of affiliation, economic structures, political protest, and/or aesthetic practices.
Topics include an ecocritical analysis of the commodification of bees in the United States (Cheryl Herr), a discussion of multifarious border cultures in the Southwest (Silvia Spitta), an exploration of the role of the regional and the global in the modern women’s movement (Katharina Gerund), a critique of region and class with regard to “rednexploitation” in television culture (Tanja Aho) as well as a critical regionalist account of ruin photography in the United States (Miles Orvell), to name but a few contributions to this volume. All of them seek to re-appraise questions of region(alism) focusing on patterns of affiliation, economic structures, political protest, and/or aesthetic practices.
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