Introduction: Exposing the Film Apparatus Giovanna Fossati and Annie van den Oever, Small and Portable Cinema in My Pocket Roger Odin Uncanny Encounter: The iPhone and the Debrie Camera Martine Beugnet ,The Erasure of Analog Film Projection Leenke Ripmeester, Ghosts of the Past: Frame Rates, Cranking and Access to Early Cinema Marek Jancovic, Vitascope Movie-Maker: A Ludic Historiography Guy Edmonds, Contextualizing the Apparatus: Film in the Turn-of-the-Century Sears, Roebuck & Co. Consumers Guide's Department of Special Public Entertainment Outfits and Supplies William Uricchio, Widescreen Anamorphic Lens Steven Willemsen, The Introduction of Ciné-Kodak: The Long-Awaited Answer Susan Aasman, The Orbit and Single Shot Cinema Annelies van Noortwijk, The Video Compact Disc and the Digital Preservation of Indonesian National Cinema History Ari Purnama, Bolex Artists: Bolex Cameras, Amateurism, and the New York Film Avant-Garde Barbara Turquier The Tripod or When Professionals Turn Amateur: A Plea for an Amateur Film Archaeology, Alexandra Schneider Imagining the User of Portapak: Countercultural Agency for Everyone! Tom Slootweg, Edison's Ideal and the Visual Technics of the Sublime Gert Jan Harkema and Amanda du Preez Medium and Not Easily Portable A Legal Alien: The 16mm Projector in the Classroom, Eef Masson, The Analog Film Projector in Marijke van Warmerdam's Digitized Film Installations, Julia Noordegraaf, The Illusion of Movement, the Illusion of Color: The Kinemacolor Projector, Archaeology, and Epistemology Benoît Turquety Stenciling Technologies and the Hybridized Image in Early Cinema Joshua Yumibe Understanding Early Film Sound: The Biophon Sound-on-Disc System Sonia Campanini Digital Frontiers: 2k to 4k and Beyond Ian Christie Large and Not Portable Geyer Rekord Continuous Contact Printer (c. 1935) Martin Koerber Jean-Luc Godard, the Video Editing Table and HISTOIRE(S) DU CINÉMA as a Laboratory for an Art of Archives Céline Scemama Famous Facials: How We Got Ready for the Close-Up Jan Holmberg Digital Cinema, or: What Happens to the Dispositif? Frank Kessler and Sabine Lenk, 3D Imaging Technology's Narrative Appropriation in Cinema Miklós Kiss, Extending the Archival Life of Film: Presenting Film History with EYE Film Institute Netherlands' Panorama Caylin Smith The Database of Technical Devices: Describing, Cataloging, and Using Technical Devices in the Museum's Collections Rommy Albers and Soeluh van den Berg, The Invisible Cinema Julian Hanich A Tale of Two Times: Augmented Reality as Archival Laboratory Nanna Verhoeff, Notes, General Bibliography, Notes on Contributors, Index of Names, Index of Films.
