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Produktbild: Chanting the Hebrew Bible

Chanting the Hebrew Bible The Art of Cantillation

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.06.2017

Verlag

Jewish Publication Society

Seitenzahl

876

Maße (L/B/H)

28.2/21.9/5 cm

Gewicht

2226 g

Auflage

2nd Second Edition, Revised, Expanded edition

Sprache

Englisch

ISBN

978-0-8276-1223-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.06.2017

Verlag

Jewish Publication Society

Seitenzahl

876

Maße (L/B/H)

28.2/21.9/5 cm

Gewicht

2226 g

Auflage

2nd Second Edition, Revised, Expanded edition

Sprache

Englisch

ISBN

978-0-8276-1223-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Chanting the Hebrew Bible

  • How to Use this Book
    Transliterations, Translations and Text Sources
    Chapter 1 Cantillation
    The Ritual Art of Chanting the Hebrew Scriptures
    The Terminology of Cantillation
    Chironomy
    Why Chant?
    The Scroll
    Ambiguity in the Consonantal Text
    The Masoretic Text
    The Rhythm of Cantillation
    The Pitches of Cantillation
    Ekphonetic Notation
    Transcriptions of the te‘amim
    Inflection
    Resolving Ambiguity
    Chapter 2.1 Parallelism
    Corresponding Parallelism
    Parallel Actions
    Analogous Parallelism
    Elliptical Parallelism
    Chapter 2.2 The Primary Dichotomy: Siluk and Etnäta
    The Disjunctive Siluk
    Meteg
    The Disjunctive Etnäta
    Chanting
    Diagramming Phrases
    Parsing
    Level One: Contiguous Segments
    Exception: Verses without Etnäta
    The Pausal Form
    Word Order
    Chapter 2.3 Level Two: Tippe¿a
    The Secondary Dichotomy: Tippe¿a
    Three Independent Clauses
    The Simple Sentence
    The Nominal Clause
    Chapter 2.4 Conjunctives
    Recursive Dichotomy
    Disjunctives and Conjunctives within a Segment
    Merekha – The “Servant” of Siluk
    Merekha – The “Servant” of Tippe¿a
    Merekha Khefulah
    Munä
    Conjunctives and Dagesh Kal
    The “Conjunctive Soft” Form
    Chapter 2.5 Substitutions
    Tippe¿a Substituting for a Conjunctive
    One-Word Clauses in Level One
    Two Te‘amim on a Long Word
    Mayela and Siluk on a Single Word
    Mayela and Etnäta on a Single Word
    Munä and Etnäta on a Single Word
    Merekha and Tippe¿a on a Single Word
    Two Munäs: A Double Conjunctive
    Chapter 2.6 Level Two: Zakef
    Stepping Segments
    Stepping Segments and Nesting Segments
    The Four Forms of Zakef
    Munä—The Conjunctive Serving Zakef Katon
    A New Model
    Another Upgrade
    Review: Three Models of Dichotomy
    Review
    Verb in Second Position
    The Word ¿¿¿¿¿¿
    The Vocative Case
    Chapter 2.7 Level Two: Segol
    When Does Segol Appear?
    Munä—The Conjunctive Serving Segol.
    Shalshelet as a Substitute for Segol
    Pasek
    The Seven Occurences of Shalshelet
    Rabbinic Exegesis of Shalshelet
    Chapter 2.8 Tevir
    The Disjunctive Tevir
    Examples of Tevir
    Relative Cadences: Tippe¿a and Tevir
    Upgrading: Tevir Substituting for Merekha
    The Conjunctives of Tevir: Darga and Merekha
    A New Model
    Verb In Terminal Position
    Chapter 2.9 The Remote Conjunctives of Tevir
    Kadma And Munä: The Secondary Conjunctives of Tevir
    Verb in the Middle — Part Two
    Secondary Accents
    Merekha Khefulah and Darga: Two Conjunctives before Tippe¿a
    More than One Remote Conjunctive
    Three or More Conjunctives
    Chapter 2.10 Revia‘
    Upgrade: Tevir to Revia‘
    The Dichotomy of Lists
    Revia‘ Analysis
    Three Level-Three “Stepping” Segments
    Darga—The Remote Conjunctive Of Revia‘
    Three Conjunctives before Revia‘
    Chapter 2.11 Pashta
    The Disjunctive Pashta
    Pashta and Kadma
    Yetiv—A Substitute for Pashta
    Munä Upgraded to Pashta or Yetiv
    The Meteg as Lengthener
    Substitutions and the Conjunctive- Rafeh Rule
    Verses with No Conjunctives
    The Conjunctives of Pashta— Mahpakh and Merekha
    Derivation of the Name “Mahpakh”
    Mahpakh and Pashta on The Same Word
    Mahpakh and Yetiv
    The Retracted Accent— Nasog A¿or
    The Remote Conjunctives of Pashta— Kadma or Munä
    The Third and Fourth Remote Conjunctives of Pashta
    Revia‘—The Initial Level-Three Disjunctive before Pashta
    Upgrading Pashta to Revia‘
    Chapter 2.12 Zarka
    Zarka
    The Conjunctives of Zarka
    Upgrading Munä-Segol to Zarka-Segol
    Upgrading for Long Words
    The Remote Conjunctives of Zarka—Kadma or Munä
    Munä Instead of Kadma
    Three Conjunctives before Zarka
    Four Conjunctives before Zarka
    Two Subdivisions under Segol
    Three Subdivisions under Segol
    Chapter 2.13 Level Four: Geresh
    Simple Verses and Complex Verses
    Subdividing a Level-Three Segment
    Geresh and Double Geresh
    The Forms of Geresh
    Geresh without a Conjunctive
    Upgrading for Long Words
    The Conjunctives of Geresh—Kadma and Munä
    The Remote Conjunctive of Geresh— Telishah Ketanah
    Munä—The Conjunctive before Telishah Ketanah
    To Geresh or Not to Geresh?
    The Geresh Segment In Context
    Chapter 2.14 Level Four: Legarmeh
    The Disjunctive Legarmeh
    Legarmeh or Geresh?
    The 2+1 Division and Exceptions to the Rule
    Stepping Level-Four Segments
    The Conjunctive of Legarmeh—Merekha
    Three or More Stepping Segments
    Analysis of Complete Verses
    Chapter 2.15 Level Four: Pazer
    The Distribution of Level-Four Terminators
    The Disjunctive Pazer ( Katan)
    The Conjunctive of Pazer—Munä
    Level-Four Segments
    Three Stepping Segments
    The Pazer Segment in Context
    Lists
    Level Five
    Chapter 2.16 Level Four: Pazer Gadol
    The Disjunctive Pazer Gadol ( Karney-Farah)
    The Conjunctive of Pazer Gadol—Galgal ( Yerä-Ben-Yomo)
    The Pazer Gadol Clause in Context
    Chapter 2.17 Telishah Gedolah
    The Disjunctive Telishah Gedolah
    Telishah Gedolah as a Substitute for Geresh
    Telishah Gedolah and Geresh on the Same Word
    Telishah Gedolah as a Substitute for Pazer
    Telishah Gedolah as a Level-Five Terminator
    Telishah Gedolah as a Substitute for Telishah Ketanah
    The Telishah Gedolah Clause in Context
    Chapter 3 Pronunciation
    The Importance of Correct Pronunciation
    Halakhic Evidence
    The Evolution of the Hebrew Language
    An Official Hebrew Diction
    The “Elevated” Style
    About this Guide
    Consonant “Voicing”
    The Pronunciation of ¿
    The Pronunciation of ¿ and ¿
    The Pronunciation of ¿
    Other Differences
    Run-on Words
    Vowel Length
    Pure Vowels
    Consistent Pronunciation
    Doubled Consonants
    Becoming Familiar with Dagesh ¿azak
    Mappik
    The Function of Mappik
    The Sound of Mappik
    Shin and Sin
    Matres Lectionis— ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿
    Syllables
    Open Syllables
    Closed Syllables
    Dagesh Kal
    The Conjunctive Soft Form
    Consonant Endings
    ¿ Dagesh ¿azak in ¿¿ ¿¿ ¿¿ ¿¿ ¿¿
    Vocal Sheva ( Sheva Na‘)
    Intermediate Sheva ( Sheva Meräef)
    Summary: Prefix Chart
    Kamats Forms
    Kamats before De¿ik
    Two Approaches to the Rules of Pronunciation
    Furtive Patä ( Patä Genuvah)
    ¿ ¿ And as Consonants
    Some Words Are Not Pronounced as They Are Written
    Syllabic Stress: Millera‘ and Mille‘el
    Marking the Accent
    The Secondary Accent
    Syllabic Rhythm
    Makkef
    Vowel Length Reduction in Connected Words
    Special Te‘amim for Contiguous Accents
    Retraction ¿¿¿¿¿¿ ¿¿¿¿¿¿
    Secondary Stress
    Observations on Secondary Stress
    The Euphonic Meteg ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿
    Meteg Summary
    The Pausal Form ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿
    Vowel Changes in Pausal Form
    Change Of Stress in the Hiatus Form
    Change Of Stress in Vav Conversive
    The Directional (or “Locative”) Suffix ¿¿ ¿¿¿¿¿¿¿¿¿¿¿
    Suffixes and Syllabic Stress
    Rare Words that Begin with Dagesh ¿azak ( ¿¿¿¿¿¿¿ )
    Pronunciation of the Conjunctive Dagesh
    The Vocalization of Prefixes
    The Definite Article ¿¿ ¿¿¿¿¿¿¿¿¿¿
    ¿ Prepositional Prefixes ¿¿¿ ¿¿
    The Word ¿¿
    The Interrogative Prefix ¿¿ ¿¿¿¿¿¿¿¿¿¿¿
    Vav Conjunctive ¿¿ ¿¿¿¿¿¿¿¿¿
    Vav Conversive ¿¿ ¿¿¿¿¿¿¿¿¿¿
    The Prepositional Prefixes ¿ ¿ ¿
    The Prepositional Prefix ¿
    Formal Classical Pronunciation versus Colloquial Modern Pronunciation
    General Pronunciation Exercises
    Chapter 4 Canon And Masorah
    A History of the Scrolls
    The Aniquity of Cantillation
    Where Do the Melodies Come From?
    The Chanting of Scripture
    Did Tiberian Notation Represent an Ancient Tradition?
    The Septuagint
    Other Ancient Greek Manuscripts
    Evidence in the Talmud
    Other Systems of Punctuation
    The Musical Realization of the Tiberian System
    The Notation Systems
    The Tiberian Codices
    The Aleppo Codex
    Other Ancient Codices
    Chapter and Verse
    Printed Bibles
    The Soferim and the Consonantal Text
    Masoretic Annotations and Lists
    Chapter 5.1 The Te‘amim
    Disjunctives
    Conjunctives
    Other Signs
    Remote Conjunctives
    Invariables
    Upgrading in a Two-Word Domain
    Upgrading in the Presence of Long Words
    Substitutions for Musical Considerations
    Frequency Chart
    Repeating Te‘amim
    The Hierarchy of the Te'amim
    The Twenty-One Books and the Three Books
    The Poetic Books: Psalms, Proverbs and Job
    Chapter 5.2 Two Te‘amim on a Single Word
    Primary and Secondary Accents
    Meteg
    The Euphonic Meteg
    Double Conjunctives
    Double Disjunctives
    Doubled Invariables
    Postpositives
    Prepositives
    High and Low Accents: Two Traditions
    The Decalogue
    The Saga Of Reuben
    Chapter 5.3 Troubleshooting
    Commonly Confused Te‘amim
    Errors in Rhythm
    Commonly Mispronounced Consonants
    Commonly Mispronounced Vowels
    Incorrect Syllabic Stress
    Biblical Hebrew and Contemporary Hebrew
    The Last Word
    Chapter 5.4 Parsing The Hebrew Bible
    Some Definitions
    Overview—The Steps Involved in Parsing
    Identify the Verbs
    Parallelism—Pairs of Clauses
    The Verbless (Nominal) Clause
    Coordinated Verbs
    More than Two Independent Clauses
    The Subordinate Clause
    Downgrading the Time Stamp
    Inverted Downgrade
    Quotations
    Linked Word Pairs
    Inconsistency of Style
    Construct ( ¿¿¿¿¿¿¿¿¿ ) Followed by a Linked Pair
    Particles
    Other Words
    The Word ¿¿¿¿¿¿
    Lists
    Emphatic Words
    The Verb and its Complements
    Puzzling Punctuation
    The Limits of Predictability
    Chapter 5.5 The Pedagogy of Cantillation
    The Cantillation Class
    Applying the Paradigm to the Student’s Portion
    Flash Cards
    Dictation
    Listening Activities
    Teaching Inflection
    Applying the Melodies to Familiar Words
    Reinforcing the Patterns
    Suggestions for Self-Study
    Preparing to Read from a Scroll
    Chapter 6.1 Interpreting the Te‘amim
    Music of the People
    The Liquid Tradition Becomes Frozen
    One Tradition among Many
    Music Serves the Text
    Transcription of the Te‘amim
    Rhythmic Notation
    Pitch Notation
    The Names of the Te‘amim
    Syllabic Stress
    Improvisation
    Smoothing
    Redistribution
    Compensation
    Pick-Up Pitch Adjustment
    The Rhythm of Cantillation
    Reading Complete Phrases
    High and Low Te‘amim
    Chapter 6.2 Torah
    Historical Development of the Public Reading
    Contemporary Practices in Traditional Synagogues
    The Cycle of Readings
    The Combined Pericope ¿¿¿¿ ¿¿¿¿¿¿
    The Division of the Pericope
    Extra Aliyot
    The Number of Olim
    The Number of Verses
    The Maftir
    Sim¿at Torah Customs
    Procedures Related to the Torah Reading
    The Correct Reading of the Torah
    Qualifications for the Ba‘al Keri’ah
    Correcting An Error In The Reading
    A Defect in the Scroll
    Tokhe¿ot
    Remembering Amalek
    Ta‘amey Ha-‘Elyon
    Other Special Customs
    The Melodies of the Cantillation Motifs
    The Siluk and Etnäta Segments
    The Zakef Segment
    The Tevir Segment
    The Pashta/Yetiv Segment
    The Segol/Shalshelet Segment
    The Revia‘ Segment
    The Legarmeh Segment
    The Geresh Segment
    Telishah Gedolah
    Pazer
    Munä Galgal Pazer-Gadol
    The Final Cadence
    Special Melodies
    Akdamut Millin
    Chanting the Torah Blessings
    The Kaddish
    Summary of the Te‘amim
    The Scale of the Torah Cantillation
    The Te‘amim according to Abraham Binder
    Chapter 6.3 Haftarah
    Contemporary Traditional Practice
    Historical Development of the Haftarah
    Customs
    Etymology
    Haftarah Chart
    The Melodies of the Cantillation Motifs
    The Siluk and Etnäta Segments
    The Zakef Segment
    The Tevir Segment
    The Pashta/Yetiv Segment
    The Segol Segment
    The Revia‘ Segment
    The Legarmeh Segment
    The Geresh Segment
    Other Segments
    The Final Cadence
    Modulations to the Lamentation Mode
    Blessings
    Yatsiv Pitgam
    Summary of the Te‘amim
    Chapter 6.4 The Festival Megillot: Song Of Songs, Ruth, and Ecclesiastes
    The Contemporary Practicea nd its Roots
    The Song of Songs
    Ruth
    Ecclesiastes
    The Siluk and Etnäta Segments
    Merekha Siluk
    Etnäta
    Tippe¿a
    The Tevir Segment
    The Zakef Segment
    The Pashta/Yetiv Segment
    The Segol Segment
    The Revia‘ Segment
    The Legarmeh Segment
    The Geresh Segment
    Gereshayim
    Telishah Gedolah
    Pazer
    The Final Cadence
    Blessings
    Summary of the Te‘amim
    Chapter 6.5 Esther
    The Contemporary Practice and its Roots
    The Siluk and Etnäta Segments
    Tippe¿a
    The Tevir Segment
    The Zakef Segment
    The Pashta/Yetiv Segment
    The Segol Segment
    The Revia‘ Segment
    The Legarmeh Segment
    The Geresh Segment
    Telishah Gedolah
    Pazer
    Munä Galgal Pazer-Gadol
    The Final Cadence
    The Invitational Cadence
    Lamentation Verses
    Exceptional Verses
    Blessings
    Shoshannat Ya‘akov
    Summary of the Te’amim
    The Scale of the Te‘amim
    The Axes of the Te‘amim
    Chapter 6.6 Lamentations ( Ekhah)
    Structure
    Liturgical Use
    Lamentations Motifs in other Readings
    Chanting Chapter Three
    The Siluk and Etnäta Segments
    Tippe¿a
    The Tevir Segment
    The Zakef Segment
    The Pashta/Yetiv Segment
    The Segol Segment
    The Revia‘ Segment
    The Legarmeh Segment
    The Geresh Segment
    Other
    Final Cadences
    Summary of the Te‘amim
    The Scale of the Cantillation
    Chapter 6.7 Torah for the High Holiday Morning Service
    The Siluk and Etnäta Segments
    Tippe¿a
    The Tevir Segment
    The Zakef Segment
    The Pashta/Yetiv Segment
    The Segol Segment
    The Revia‘ Segment
    The Legarmeh Segment
    The Geresh Segment
    Telishah Gedolah
    Pazer
    The Final Cadence
    Chanting the Blessings
    Kaddish
    Summary of the Te‘amim
    The Scale of the Te‘amim
    Chapter 7.1 Comparison Chart
    Chapter 7.2 The Ideal Reader
    Chapter 7.3 Guide to the Readings
    Genesis
    Exodus
    Leviticus
    Numbers
    Deuteronomy
    Special Torah Readings
    Sim¿at Torah
    Public Fast Days
    Rosh ¿odesh
    Shavuot
    High Holidays
    Haftarot
    Genesis — Haftarot
    Exodus — Haftarot
    Leviticus — Haftarot
    Numbers — Haftarot
    Deuteronomy — Haftarot
    Special Haftarot
    Ruth
    Song of Songs
    Ecclesiastes ( Kohelet)
    Lamentations
    Esther
    Chapter 7.4 Glossary
    Bibliography
    Index